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Avis Lang [Rosenberg] (1944-) is an art historian, teacher, curator, writer and editor who lived in Vancouver for many years. In 1972, as a member of the faculty of the Fine Art Department at the University of British Columbia, she wrote to Canadian artist Jack Chambers (1931-1978) beginning a correspondence that led Chambers to invite her contribution to a scholarly monograph on his work. In 1973, Peter Mellen took over the editorial direction for the book and differences of opinion prompted her to resign the project. Her essay, “The Hart of London: a film by Jack Chambers” was included in The Films of Jack Chambers, edited by Kathryn Elder (Cinematheque Ontario and Indiana State University Press, 2002).

Robert Langen (19-- -) was a professor at Wilfrid Laurier University in Waterloo, Ontario, until his retirement in 1984. Langen received his BA from Waterloo College in 1948, and his MA from the University of Toronto in 1956. In 1954 he became a lecturer at Waterloo College (now Wilfrid Laurier University) and eventually became the first chairman of the Philosophy Department. Robert Langen was involved in many committees and organizations, including the Cultural Affairs Committee, and a local chapter of the World University Service of Canada. In 1989 Wilfrid Laurier University named its art gallery in his honour.

Leslie Lasky was a student at Waterloo Lutheran University in Business Administration from 1964 to 1968. He lived in Willison Hall and served as a residence Don. In 1967, he was elected as student representative to the Selection Committee for a new president of the University.

The Brantford campus of Wilfrid Laurier University opened in 1999. The campus is located in downtown Brantford, Ontario and awards Bachelors degrees in Business Technology Management, Contemporary Studies, Criminology, Education, English, Health Administration, Health Studies, History, Human Rights and Human Diversity, Journalism, Law and Society, Leadership, Psychology and Youth and Children's Studies.

Planning for the creation of a university in Brantford began in 1996, when the Brant Community Futures Development Corporation commissioned a business plan for the establishment of a university in Brantford. The city of Brantford had experienced economic decline in the wake of the collapse of the farm equipment industry. Community leaders, including members of the Grand Valley Educational Society, hoped that a university would contribute to urban renewal of the city’s downtown core. They also sought to provide local post-secondary educational opportunities for local students. In 1998, the City of Brantford, The Grand Valley Educational Society and Wilfrid Laurier University signed a “letter of intent” to form a campus of Laurier in Brantford.

The first building occupied by Laurier Brantford was the Carnegie Building on George Street, originally constructed as a library, and renovated as a university building. As it expanded the university has constructed new buildings, including the Student Centre built by the Student Union in 2005. Other university buildings, like Grand River Hall which opened in 2001, are examples of adaptive re-use, and have been renovated to meet the needs of the university.

Laurier Brantford is administered by a Vice-President/Principal who reports to the President of Wilfrid Laurier University. The faculty report to the Dean of Brantford, and govern through the Brantford Divisional Council. Library service is provided by Laurier librarians at the Brantford Public Library.

Brantford students are members of the Wilfrid Laurier University Students Union (WLUSU).

Wilfrid Laurier (1841-1919) was Canada's eighth Prime Minister, holding office 1896-1911. Laurier was born in St. Lin, Quebec. He received a law degree from McGill University in 1864, and practiced law in Montreal and Arthabaskville from 1864-1896. Wilfrid Laurier was Liberal party leader from 1887 until his death in 1919.

Ulrich S. Leupold (1909-1970) was a professor and Dean at Waterloo Lutheran Seminary in Waterloo, Ontario. He obtained his PhD in musicology from the University of Berlin in 1932. He was ordained by the Canada Synod in 1939 and served as a pastor until 1945. He was appointed Principal in 1969. He authored, arranged, and composed numerous works. Wilfrid Laurier University's Leupold Residence is named in his honour.

Arthur Lismer, painter and art educator, was born in Sheffield, England in 1885. He studied at the Sheffield School of Art 1899–1906 and later at the Académie royale des beaux-arts in Antwerp. In 1911 he immigrated to Toronto where he worked as a commercial illustrator for the Grip Engraving Company and taught at the Ontario College of Art. He married Esther Mawson in 1912 and their only child Marjorie was born in 1913. Lismer's career as an art educator began at the Victoria School of Art and Design in Halifax, 1916–1919, followed soon after by his appointment as Vice-President of the Ontario College of Art in Toronto. In 1920 he became a founding member of the Group of Seven. His best-known works in oil are wilderness landscapes, expressionist in style with a use of raw colour and simplified form. He also produced many works on paper, including several portraits. Lismer established a Children's Art Centre at the Art Gallery of Toronto, where he was educational supervisor, 1927–1938. He was briefly educational supervisor at the National Gallery of Canada, later holding that post at the Montreal Museum of Fine Arts from 1941 to 1967. He was assistant professor of fine arts at McGill University, 1948–1954. He died in Montreal in 1969. Arthur Lismer was a member of the Arts and Letters Club, Ontario Society of Artists, Royal Canadian Academy of Arts, Canadian Group of Painters, Canadian Society of Painters in Water Colour, and Federation of Canadian Artists. His work is in many Canadian public collections. Following her father’s death, Marjorie Lismer Bridges devoted a number of years to organizing his archival records and gradually donating them to public repositories. She wrote the “Arthur Lismer source book”, which is included in the fonds.

Frances Norma Loring, sculptor, was born in Wardner, Idaho October 14, 1887. She studied sculpture in Geneva, Munich and Paris 1901-1905. In 1905 at the Art Institute of Chicago, she met Florence Wyle with whom she subsequently shared studios in New York (1909-1912) and Toronto (1912-1966). A member in 1920 of the Ontario Society of Artists, she was a founding member (1928) of the Sculptors' Society of Canada and a chief organizer of the Federation of Canadian Artists and the National Arts Council. Among her best-known public monuments are the lion of the Queen Elizabeth Monument in Toronto (originally near the entrance to the Queen Elizabeth Way) and war memorials at St Stephen, New Brunswick and Cambridge (formerly Galt), Ontario. Frances Loring died in Newmarket, Ontario February 3, 1968.

Newton McFaul MacTavish (1875-1941) was a Canadian journalist, art critic and early art historian. Born in Staffa, Ontario, he became a reporter at The Toronto Globe in 1896 and was its assistant financial editor until 1900. From then until 1906, he studied English literature at McGill University while working as a correspondent and business representative of The Globe in Montreal. In 1903 he married Kate Johnson. Between 1906 and 1926, MacTavish was the editor of The Canadian Magazine in Toronto. In 1910 he travelled to Europe and visited the Canadian artists J.W. Morrice and John Wentworth Russell in Paris. He subsequently (1922-1933) served as a trustee of the National Gallery of Canada in Ottawa. Acadia University, Wolfville, Nova Scotia conferred honorary degrees on Newton MacTavish in 1924 (M.A.) and 1928 (D. Litt.). From 1926 to 1932 he was a member of the Civil Service Commission of Canada. A founder of the Arts and Letters Club (Toronto), he was also on the editorial advisory board of and contributor to the Encyclopedia of Canada (1932-1935). In addition to his articles, essays and short stories, MacTavish was the author of Thrown In (1923), The Fine Arts in Canada (1925, the first full-length history of Canadian art), and Ars Longa (1938). A fourth work, Newton MacTavish’s Canada, was published posthumously in 1963. He died in Toronto in 1941.