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Dr. Yehoshua (Shieky) Brownstone is a photographer in London, Ontario. He was formerly a Professor in the Biochemistry Department at the University of Western Ontario.

Samuel J. Zacks (1904-1970) was a financier, Zionist and art collector, born in Kingston Ontario and educated at Queen’s University and Harvard. He married Ayala Ben Tovim Fleg in 1947, whereupon they immediately began to collect art of the School of Paris as well as Canadian and Israeli art and antiquities, amassing an extensive collection by the late 1950’s that was in continual demand by museums around the world. Mr. and Mrs. Zacks were both involved in international art circles, sitting on the Boards of the International Committee of Museums (ICOM), a branch of UNESCO, the International Committee of the Museum of Modern Art, the Art Gallery of Ontario and others. In 1969 Mr. Zacks received an Honourary Fellowship from St. Peter’s College, Oxford. He died in 1970 in Toronto.

Sam and Ayala Zacks were prominent Canadian art collectors of international repute active in the mid-20th century whose gifts form the basis of the modern European art collection at the Art Gallery of Ontario. Ayala Ben Tovim Fleg Zacks Abramov (1912-) was born in Jerusalem and educated in Israel, Paris and London. In 1938 she married Maurice Fleg in Paris, and joined the French Resistance after her husband died in action in1940. Active in Zionist circles after the war, she met Sam Zacks in Switzerland. Samuel J. Zacks (1904-1970) was a financier, Zionist and art collector, born in Kingston Ontario and educated at Queen’s University and Harvard. Following their marriage in 1947 they immediately began to collect art of the School of Paris as well as Canadian and Israeli art and antiquities, amassing an extensive collection by the late 1950’s that was in continual demand by museums around the world. In 1956 a collection of Canadian art was donated to Queen’s University, Mr. Zack’s alma mater, the first of many significant gifts to institutions in Israel and Canada including the Hazor Archaeological Museum, the Royal Ontario Museum and the Art Gallery of Ontario. Mr. and Mrs. Zacks were both involved in international art circles, sitting on the Boards of the International Committee of Museums (ICOM), a branch of UNESCO, the International Committee of the Museum of Modern Art, the Art Gallery of Ontario and others. In 1969 Mr. Zacks received an Honourary Fellowship from St. Peter’s College, Oxford. He died in 1970 in Toronto. After his death, Ayala Zacks was awarded the Order of Canada and an honourary degree from the University of Toronto. She married Zalman Abramov, an Israeli lawyer and politician in 1976 and moved permanently to Israel in 1982.

David Brown Milne (Burgoyne, Ontario 1882 – Bancroft, Ontario 1953) was a painter and etcher; he is widely considered to be among the most outstanding Canadian artists. He worked as a schoolteacher before deciding to study painting in New York where, in 1903, he enrolled in the Art Students’ League. Milne supported himself through commercial artwork but actively and successfully developed his own painting, exhibiting five canvases in the famous Armory Show of 1913. His friends during this period included James (“René”) Clarke, with whom he maintained a correspondence for many years. In 1916, Milne and his wife Patsy (née May Frances Hagerty), whom he had married in 1912, left the city and settled in Boston Corners, New York. In late 1917 Milne joined the Canadian army as a private, and in 1918 was appointed as a war artist to record the locations of battles that had involved Canadian troops. Milne returned to Boston Corners in 1919, where he spent most of his winters until 1928, summering in the Adirondacks. He moved to Ottawa for one year in 1923, when the National Gallery of Canada bought six of his watercolours. In 1928, Milne moved permanently back to Ontario (he separated from his wife in 1933), spending extended periods of time alone in the wilderness regions north of Toronto. Palgrave, a short drive from Toronto, became Milne’s home from 1930 to 1933, and from 1933 to 1939 he lived in a cabin on Six Mile Lake near Georgian Bay. He maintained an interest in the Toronto art scene and developed a small group of patrons including Alice and Vincent Massey, and Douglas Duncan of the Picture Loan Society, who acted as Milne’s agent and dealer for many years. He met his second wife Kathleen Pavey in 1938 and lived with her from 1939; their only child David Jr. was born in 1941. The Milnes lived in Uxbridge from 1940 to 1946. From 1947 Milne lived and worked at Baptiste Lake, with Kathleen and David Jr. joining him periodically. As Milne’s health deteriorated, the family moved to Bancroft to be closer to Baptiste Lake. Milne died at Bancroft in December 1953. His work is represented in numerous public collections, notably the National Gallery of Canada, the Art Gallery of Ontario, the McMichael Canadian Art Collection and the Winnipeg Art Gallery.

Florence Vale, Canadian artist, was born on April 18, 1909 in llford, Essex, England and died on July 23, 2003 in Toronto, Ontario, Canada. Her family immigrated to Toronto two years after her birth, where she grew up with an interest in music. She married artist Albert Franck on June 8, 1929, and together they bought a house on Hazelton Avenue in Toronto which became a centre for artists, writers, musicians, and critics. Florence Vale was the mother of two children, Trudy (who died as an infant) and Anneke.
Florence Vale began to paint with her husband’s paints and brushes in the late 1940’s with no previous artistic training – only what she had learned under the influence of her husband and the artists who visited her home. Her art was influenced by Surrealism, Cubism, Expressionism, and the works of Paul Klee. After her husband’s death in 1973, Florence Vale continued to express her artistic ability with oil paints, collages, and ink, also including her own poetry in some of her works. Many of her works, most prominently after the death of her husband, were erotic, while still viewed by critics as keeping a whimsical, innocent tone. Her art appeared in exhibitions throughout Ontario, with exhibitions also in Quebec and New York, U.S.A. She was associated with the Gadatsy Gallery, Toronto.

Paul Bennett was hired as the AIO’s first Field Director / Adviser in 1959, and remained in this capacity until 1964. He then became Director, serving until 1968.

Robert Frederick Hagan, painter, printmaker and educator, was born in Toronto, Ontario in 1918. He was educated at Central Technical School (Toronto) and the Ontario College of Art. From 1941-1946, Hagan was employed as Resident Artist and Master at Pickering College in Newmarket, Ontario. In the spring of 1946, Hagan journeyed to New York for further studies. Later the same year, he began teaching at the Ontario College of Art. In 1955 he became Head of Printmaking, a position which he held until his retirement in 1983. Frederick Hagan has held memberships in the Canadian Society of Graphic Art (of which he was made an Honourary Member in 1965), the Canadian Society of Painter-Etchers and Engravers, the Ontario Society of Artists, and the Print and Drawing Council of Canada. His work is in the collections of numerous Canadian galleries. Frederick Hagan passed away on September 6, 2003 at the age of 85.

Gordon Conn (ca.1888-1977) was an art collector and supporter of visual art in Toronto. He studied to be a musician and worked as a painter in his youth. Although he did not pursue a career as an artist, he maintained connections with many artists. He was a friend of the painter Kenneth Forbes (1892-1980) who painted Conn’s portrait in 1935. Together with Forbes, Gordon Conn founded the Ontario Institute of Painters devoted to the display of painting based on what Forbes called “traditional” art values. Conn turned over his studio in Wychwood Park in Toronto—The Little Gallery—to a series of one-man shows of its members. Near the end of his life, he donated paintings by artists represented in this collection to public art galleries in Ontario.

Michael James Aleck Snow (1929- ) is a Canadian painter, sculptor, filmmaker, photographer and musician. He was born in Toronto and educated at Upper Canada College and subsequently at the Ontario College of Art (1948-1952). After travels in Europe (1953-54) he worked for Graphic Films in Toronto (1955-56), producing his first independent film, A-Z. His first solo exhibition as a painter was at the Greenwich Gallery in Toronto in 1956. Between 1961 and 1967, mostly while living in New York, Snow produced work in the Pop-art mode based on the silhouette of a young woman, entitled Walking Woman, probably his most widely recognized creation. A series of 11 stainless steel sculptures of the image was created for the Ontario pavilion at Expo 67 and is now in the collection of the Art Gallery of Ontario. After moving to New York in 1964, he made films regarded as Minimalist, such as New York Ear and Eye Control (1964) and Wavelength (1966-67). Returning to Toronto in 1972, Snow worked mainly on cinematic and photographic projects including ‘Rameau’s Nephew’ by Diderot (Thanx to Dennis Young) by Wilma Schoen. His work is concerned with the nature of media themselves, with perception and with the interrelation of language, sound and meaning. Snow has been the subject of exhibitions and retrospectives in Toronto, Vancouver and Paris.

James Stanley McLean (1876-1954), Toronto business executive and art collector, was president of Canada Packers and founder of the J.S. McLean Collection of Canadian art. He was born in Clarke Township, Durham County, Ontario. Having graduated from the University of Toronto in 1896, McLean became an employee of the Harris Abattoir Company in Toronto in 1901, rising to become president in the 1920s. He achieved a merger of his firm with three others in 1927, forming Canada Packers Limited — of which he was president until his death. J.S. McLean was a founder-member of the Art Gallery of Toronto and a member of its executive from 1934 until his death. He was a patron of Canadian art himself and started collecting in 1934. In 1939 he began to buy Canadian artworks of art to hang in the offices and other areas of Canada Packers’ plants across the country. The result was a significant collection amassed at a time when such art was not widely sought after. Among the creators of modern art in Canada, he focused especially on the work of A.Y. Jackson, Carl Schaefer, Paraskeva Clark and David Milne. In 1952 the collection was the subject of an exhibition at the National Gallery of Canada, Paintings and Drawings from the Collection of J.S. McLean. Many of the works lent for this exhibition were subsequently donated to the Art Gallery of Ontario. J.S. McLean died in Toronto in 1954.