Emily Howard Jennings Stowe (1831-1903) was a teacher and principal, a medical doctor, and a suffragette. Educated at home, Stowe became a teacher in 1846 and graduated from the Provincial Normal School in Toronto, Canada West in 1854. In 1865 Stowe applied to study medicine at the University of Toronto, but was denied entry because she was a woman. Unable to pursue her education in Canada, she attended the New York Medical College for Women. After graduating in 1867, Stowe returned to Toronto to practice medicine without a license. In 1870 she was allowed to attend the University of Toronto and was granted a medical license in 1880. In 1877 Emily Stowe organized Canada's first suffrage organization, initially called the Toronto Women's Literary Club, which later became the Toronto Women's Suffrage Club.
Ann Augusta Stowe-Gullen (1857-1943) was a medical doctor, a lecturer and a suffragette. She was born in Mt. Pleasant, Ontario, the daughter of John Stowe and Emily Howard Jennings. She married John Benjamin Gullen in 1883. She died in Toronto. Stowe-Gullen was educated at the Toronto School of Medicine, then at the Faculty of Medicine at Victoria University, Toronto, where she became an M.D. in 1883, the first woman to graduate from a Canadian medical school. Immediately after graduating she was appointed Demonstrator in Anatomy at the Woman’s Medical College in Toronto (from 1894 onwards known as the Ontario Medical College for Women). In 1890 she was appointed Lecturer on Diseases of Children, subsequently Professor of Diseases of Children. She also served among the original staff members of Toronto Western Hospital (founded in 1896). Stowe-Gullen was a member of the Ontario College of Physicians and Surgeons, the Ontario Social Service Council, the Senate of the University of Toronto where she represented women in the medical profession (1912-24), the Toronto Board of Education (1892-96), the University Women's Club, the Women's Art Association, the Women's Board at Toronto Western Hospital, and the Women's Canadian Club. She was also active in the suffrage, temperance and other social movements. She was among the founders of the National Council of Women in 1893, (President) of the Canadian Suffrage Association, (Vice-President) of the National Council of Women, and she succeeded her mother as President of the Dominion Women’s Enfranchisement Association in 1903. In 1935 she was awarded the Order of the British Empire.
Jim Stapleton was a student at Waterloo Lutheran University (now Wilfrid Laurier University) from 1961 to 1965.
John Frederick Nathanael Spady (1879-1947) was a musician and composer in Waterloo, Ontario. Taught by his mother, who was the organist at St. John’s Lutheran Church in Waterloo for more than 30 years, Spady excelled as a pianist and violinist. He authored more than 600 pieces of music.
Goldwin Smith (1823-1910) was a prominent journalist, academic and liberal reformer who spent the latter part of his life in Toronto. Born in Reading, England, he was educated at Eton College and Oxford University, and was the Regius Professor of History at Oxford from 1858 to 1866. Smith began to publish widely on history and political reform. He moved to the United States in 1868, and taught briefly at Cornell University, to which he retained a connection for the rest of his life. He moved to Toronto in 1871, and married Harriet Elizabeth Mann (née Dixon) the widow of William Henry Boulton, in 1875. Smith thus became master of the Grange house and estate in central Toronto, and became a pillar of Toronto society. His journalistic career included a brief employment at the Globe, after which he joined independent publishing ventures including the Canadian Monthly and National Review and the Evening Telegram. He then published his own journal, the Bystander, sporadically between 1879 and 1890. Smith also published widely in other local and international news journals. He took part in important civic and educational reform initiatives, including serving on the new board of the University of Toronto. The Grange remained his wife's property and was willed by her to the city of Toronto to serve as a public art gallery, later becoming the first home of the Art Gallery of Ontario.
Helen Sanderson Sewell (1905-2001) was a Toronto artist and teacher. She attended the Ontario College of Art, graduating in 1928 with the Governor General’s Gold Medal. After graduation, she taught for six years with Arthur Lismer at the Art Gallery of Ontario and in Barrie, London, and her Toronto studio. She traveled to northern Ontario to paint with members of the Group of Seven. In 1934 she married William Sewell and interrupted her career to raise four children, including former Toronto mayor John Sewell. She resumed painting when her children were in high school, specializing in portraiture, and was active in the Toronto Heliconian Club.
Henry Sandham (1842-1910) was an illustrator and painter who lived successively in Montreal, Boston, and London, England. He was associated with the Montreal studio of William Notman, where he received his early training, later headed the art department, and was briefly a partner. Sandham produced illustrations for several leading magazines of his day, including the Century Magazine.
Harold Russell was a student at Waterloo College from 1954 to 1958. He was a member of the Waterloo College Detachment of the University of Western Ontario Contingent of the Canadian Officers' Training Corps.
Judith Rodger is a freelance curator and art historian based in London, Ontario. Rodger was chief curator of the London Regional Art & Historical Museum, and was personally acquainted with Greg Curnoe. She contributed the chronology and bibliography to the catalogue of the exhibition Greg Curnoe: Life and Stuff (Toronto: Art Gallery of Ontario, 2000). For a biographical sketch of Greg Curnoe, please see Greg Curnoe fonds.
Mercer Union was created by former members of A.C.T. in 1979 to operate as an artist-run, non-profit cooperative gallery. Twelve founders contributed financially to the rental of a ground floor space at 29 Mercer Street and planned to mix local, regional, national and international exhibits, collaborating with other artist-run programs. Its mandate was to exhibit new work in the most advanced forms of painting and sculpture that was not receiving exposure in the commercial and public galleries. Performance art, installations and music were incorporated into the programming, which has continued to represent innovative and sometimes controversial material. Twelve board members are elected by dues-paying members and serve on the various committees (programming, curatorial, etc), with the help of a small paid staff. The gallery moved to 333 Adelaide Street West, 5th floor in 1981 and 439 King Street West in 1994. Their present location is 37 Lisgar Street; current information about the gallery can be obtained at www.mercerunion.org.