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Fonds consists of nine notebooks kept by Kathleen Munn as a student at the Art Student’s League in New York City and at the Summer program in Woodstock, NY. The books contain a meticulous record of her exposure to ideas about artistic theory, philosophy and art history. Undated drawings, prints and unbound notes are also included, and a group of ‘arts-and-crafts’ inspired decorative designs. The fonds contains more than 1800 pencil drawings executed as studies for her mature work on the subject of the Christian Passion. Photographs of eight of these completed drawings are included. Fonds is comprised of the following series: 1. Notebooks 2. Life drawings and studies 3. Studies for ‘The Passion’

The collection consists of 45 architectural drawings in ink and wash, comprising elevations and details of major Italian and German churches, probably drawn as student projects.

The collection consists of research material gathered by Judith Rodger in the course of her work on the catalogue for the Art Gallery of Ontario exhibition Greg Curnoe: Life and Stuff. Collection includes audio recordings of Curnoe, published articles, photographs, ephemera, and eulogies for Curnoe. Sources for individual items include Jack Behrens, Glen Curnoe, Tony McAulay, and Brenda Wallace.

Fonds consists of correspondence, photographs and other material related to the J.S. McLean Collection (including the Canada Packers collection) and to J.S. McLean’s position as a vice-president of the Art Gallery of Toronto. Fonds is comprised of the following series: J.S. McLean Collection documentation Photographs Tom Thomson sketches correspondence Art Gallery of Toronto papers

Fonds consists of printed and manuscript material accumulated by John Faichney during his years as an artist involved in the KAA/CEAC collective. Publications originating with CEAC, issues of Canadian and international periodicals, posters, samples of letterhead, exhibition catalogues, the original typed manuscript of an international symposium, and book materials are included. Fonds is comprised of the following series: 1. Kensington Art Association and CEAC 2. Periodicals and books

Fonds consists of the personal and professional records of John Boyle, including documentation of his work as an artist and his writing projects. Fonds includes documentation of Boyle’s involvement with Canadian Artists’ Representation Ontario, the Niagara Artists’ Company, and the Nihilist Spasm Band. Fonds is comprised of the following series: Exhibition and project files Nihilist Spasm Band files Canadian Artists’ Representation Ontario files Niagara Artists’ Company files Studio business files Manuscript writings Inventories of art works Adjunct art works Posters Financial records Published writings and illustrations

Fonds consists of personal and professional records of Canadian painter Jack Bush, created chiefly in Toronto during the 1930s to 1970s: his personal diaries; record books containing notes on his paintings; photographs (slides, transparencies, negatives and prints) largely of his paintings but also of his studio, exhibit installations and other subjects; with scrapbooks of newspaper and magazine clippings about the artist, exhibition notices, examples of his commercial art, and further records of his paintings.
Contains series:

1. Diaries
2. Record books
3. Photographs
4. Scrapbooks
5. Commercial art

Fonds consists of correspondence, sketches, exhibition notices and posters, press clippings, photographs, financial records, and artefacts relating to Iain Baxter’s career as an artist and university instructor. It includes records of the N.E. Thing Company, the Eye Scream Restaurant, and later solo work by Baxter. Also included are records of Baxter’s employment by Labatt’s Canada as Creative Consultant, and of his collaborations with Louise Chance Baxter.

Collection consists of a four-volume set of proof engravings by Henry Sandham for his illustrations in Century Magazine and other publications. The engravings were assembled by the artist, who inscribed in ink on the title page of volume 1: “The only complete set of proofs of the engravings from Hy Sandham’s drawings for Century Magazine from 1881 to 1886. These proofs were printed from the blocks before they were electro-typed and cannot now be reproduced except by being engraved again. The cost of each print in this book was fifty cents. Hy. S.”

The fonds includes correspondence, newspaper and magazine clippings, photographs, drawings, poems, notes and memorabilia relating to Helen Sanderson’s student days at the Ontario College of Art and subsequent teaching career. Many of these were pasted into a scrapbook, entitled ‘Art School Days’, forming a distinctive memoir of student life in the 1920’s and 1930’s. The fonds is arranged in a single series.