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Frederick Hagan fonds
Archief · 1926-2000

The fonds consists of sketches and preparatory works of art from throughout Frederick Hagan’s career, records of his teaching at the Ontario College of Art, personal correspondence, poetry by Hagan, photographs of the artist and his work, journals and record books, press clippings and representative wood-blocks used in printing. Fonds consists of the following series: Correspondence Exhibition files Exhibition notices and invitations Exploration of Canada stamps Letters to Isabelle Hagan Ontario College of Art files Photographs Poetry – loose Poetry books Posters Press clippings Record books Subject files Travel journals and notes Wood-blocks for Poems for Alice Works on paper

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Iain Baxter fonds
Archief · 1936-1999

Fonds consists of correspondence, sketches, exhibition notices and posters, press clippings, photographs, financial records, and artefacts relating to Iain Baxter’s career as an artist and university instructor. It includes records of the N.E. Thing Company, the Eye Scream Restaurant, and later solo work by Baxter. Also included are records of Baxter’s employment by Labatt’s Canada as Creative Consultant, and of his collaborations with Louise Chance Baxter.

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Goldwin Smith fonds
Archief · 1857-1910

Fonds consists of the contents of an autograph album, primarily consisting of letters received by Goldwin Smith from various correspondents throughout North America and Europe. The fonds also includes a few intact pages of the album with autographs.

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Frederick Varley fonds
Archief · 1880-1987, predominant 1940-1969

The fonds consists chiefly of correspondence (professional and personal); diaries and address books, inventories; financial records; photographs of artworks and family; and miscellaneous papers.

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John Boyle fonds
Archief · [ca. 1960]-2000

Fonds consists of the personal and professional records of John Boyle, including documentation of his work as an artist and his writing projects. Fonds includes documentation of Boyle’s involvement with Canadian Artists’ Representation Ontario, the Niagara Artists’ Company, and the Nihilist Spasm Band. Fonds is comprised of the following series: Exhibition and project files Nihilist Spasm Band files Canadian Artists’ Representation Ontario files Niagara Artists’ Company files Studio business files Manuscript writings Inventories of art works Adjunct art works Posters Financial records Published writings and illustrations

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Sam and Ayala Zacks fonds
Archief · 1923-1993, predominant 1947-1993

The fonds consists of correspondence with art dealers, artists and public art institutions, invoices, shipping and customs forms and other documents relating to their involvement in the international art market in the mid-20th century. Carbon copies of letters written by the Zacks and letters written to them are included. The fonds also contains the administrative files kept by the Zacks: insurance lists, index cards for art and books, photographs and catalogues. The fonds includes the records of the Zacks’ involvement as board members in a variety of organizations relating to the arts, including agendas, memos, minutes of meetings, and travel arrangements. Correspondence files document the Zacks’ involvement in the State of Israel, through its cultural institutions, and communication with prominent citizens. Mrs. Zacks’ papers created after her husband’s death relate to her honourary degree, the Order of Canada, board activities and social involvement. Fonds is comprised of the following series: General correspondence Artist files Dealer files Public institution files Exhibition catalogues Photographs Administrative files Exhibitions of the collection Boards and committees Israel Personal

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CA ON00012 SC091 · Archief · 1953-1974, predominant 1972-1974

Collection consists of correspondence between Avis Lang Rosenberg and Jack Chambers over a three-year period, slides created for the proposed book, transcriptions of taped interviews, contents of a notebook, poetry and prose written by Chambers, research notes, Lang’s writings on Chambers, exhibition catalogues and a private press publication containing illustrations by Chambers. Much of the material is present in photocopied form. File titles were assigned by Avis Lang, except where square brackets are used. The collection is arranged in a single series.

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Canadian Art Club fonds
CA ON00012 SC009 · Archief · 1885-1949, predominant 1907-1915

Fonds consists of the records of the Canadian Art Club, including minutes of the organization’s meetings, constitution and by-laws, membership lists, photographs of artworks, documents of incorporation (1909) and ultimate dissolution (1930s) and club financial records in the form of ledgers and a collection of bills and receipts. Materials related to club exhibitions and dinners are supplemented by an extensive collection of clippings from reviews in newspapers of the day. Correspondence forms a significant portion of the papers, especially that to and from Edmund Morris, secretary of the club for several years. Papers related to the founding of the Art Museum of Toronto and the Central School of Industrial Art and Design are also included. Fonds is comprised of the following series: 1. Minutebook 2. Transcribed minutes and other documents 3. Records of annual banquets and exhibitions 4. Club lists 5. Photographs 6. Replies to dinner invitations 7. Scrapbooks/press clippings 8. Bills and receipts 9. Cash book 10. Records of club dissolution 11. Notes on a Toronto art school 12. Miscellaneous papers 13. Correspondence (Edgar J. Stone collection)

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Geary family fonds
CA ON00012 SC098 · Archief · 1913-1933

Fonds consists of a household inventory of antique furniture, china, art, coins, military artifacts, geological and natural history specimens, rare books and family documents owned by Robert William Geary and family of Niagara Falls, Ontario. The inventory was commenced by Geary on January 24, 1913 and annotated by him until 1933.

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John Faichney fonds
CA ON00012 SC108 · Archief · 1974-1985

Fonds consists of printed and manuscript material accumulated by John Faichney during his years as an artist involved in the KAA/CEAC collective. Publications originating with CEAC, issues of Canadian and international periodicals, posters, samples of letterhead, exhibition catalogues, the original typed manuscript of an international symposium, and book materials are included. Fonds is comprised of the following series: 1. Kensington Art Association and CEAC 2. Periodicals and books

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