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Fonds consists of the records of the Canadian Art Club, including minutes of the organization’s meetings, constitution and by-laws, membership lists, photographs of artworks, documents of incorporation (1909) and ultimate dissolution (1930s) and club financial records in the form of ledgers and a collection of bills and receipts. Materials related to club exhibitions and dinners are supplemented by an extensive collection of clippings from reviews in newspapers of the day. Correspondence forms a significant portion of the papers, especially that to and from Edmund Morris, secretary of the club for several years. Papers related to the founding of the Art Museum of Toronto and the Central School of Industrial Art and Design are also included. Fonds is comprised of the following series: 1. Minutebook 2. Transcribed minutes and other documents 3. Records of annual banquets and exhibitions 4. Club lists 5. Photographs 6. Replies to dinner invitations 7. Scrapbooks/press clippings 8. Bills and receipts 9. Cash book 10. Records of club dissolution 11. Notes on a Toronto art school 12. Miscellaneous papers 13. Correspondence (Edgar J. Stone collection)

The fonds consists first, of papers of Frances Loring: correspondence (largely genealogical), lists of her works, a collection of short stories, articles, newspaper clippings, information about Loring’s father, Frank C. Loring, and two etching plates. Second, papers and other materials of Florence Wyle: poems, diaries, journals, articles, biographical information (including birth certificates, passport), lists (including prices and exhibitions) of her works, and various etching plates. The third part of the fonds comprises a collection of photographs of works by both artists. Lastly, the 1987 accrual to the fonds contains further biographical documentation and correspondence (relating to artworks, to the Loring and Wyle Trust Fund, to personal matters including finances, and to their estate) and an additional collection of photographs. Fonds consists of the following series: (Frances Loring) Lists of art works (Frances Loring) Biographical information Loring genealogy and historical background (Florence Wyle) Poems (Florence Wyle) Diaries, calendars and journals (Florence Wyle) Historical and biographical information (Florence Wyle) Price lists, exhibitions, catalogues, works (Florence Wyle) Articles/lectures (Florence Wyle) Miscellaneous Photographs (1983 donation) Loring & Wyle papers (1987 accrual) Loring & Wyle photographs (1987 accrual)

The fonds consists chiefly of correspondence (professional and personal); diaries and address books, inventories; financial records; photographs of artworks and family; and miscellaneous papers.

Fonds consists of drawings, watercolours and designs of A. H. Howard produced in Toronto between 1880 and 1914, especially in the sketchbooks in which Howard drew Ontario landscapes and towns, flowers, trees, human figures, factory interiors and other subjects. Similar drawings and watercolours are contained in two albums and a portfolio. Also included are examples of his decorative and calligraphic work from illuminated presentation addresses, certificates, bookplates and other materials.
Contains series:

1. Portfolio and albums
2. Sketchbooks
3. Decorative designs and drawings

Fonds consists of personal and professional records created by Gilbert and Stewart Bagnani and their families, chiefly in Europe, North Africa, and Canada, for the most part between ca. 1910 and 1955, comprising photographs of Gilbert Bagnani's travels and archaeological work in Italy, Greece, Turkey, Libya and Egypt in the 1920s and 1930s; a motion picture of his activities in and around Tebtunis in Egypt in 1934; correspondence between the Bagnanis themselves, Gilbert Bagnani's mother Florence Bagnani and other family members; photos of the families of Gilbert and Stewart Bagnani, including 19th-century photo portraits of their Dewar, Houston, and Robinson relatives; a collection of copy prints and glass slides of art and antiquities used by Dr. Bagnani in his university teaching; audio recordings of Dr. Bagnani lecturing; albums of clippings and memorabilia of family and social events; miscellaneous printed, typescript and manuscript items; photos of the Bagnanis at Trent University in the 1980s; an album of postage stamps; and other material.

Contains series:

1. Correspondence
2. Family photographs
3. Archaeological and travel photographs
4. Art history images
5. Albums and scrapbooks
6. Miscellaneous records

The collection consists chiefly of photographs of the artists Elizabeth McGillivray Knowles (1866-1928), Farquhar McGillivray Knowles (1859-1932), George Agnew Reid (1860-1947), Mary Heister Reid (1854-1921), Mary Wrinch Reid (1877-1969) and Edmund Wyly Grier (1899-1961), their studios and works, along with related textual materials. Fonds consists of the following series: Elizabeth McGillivray Knowles Farquhar McGillivray Knowles George Agnew Reid Mary Heister Reid Mary Wrinch Reid Edmund Wyly Grier

Fonds consists of Art Institute of Ontario records accumulated by Paul Bennett, in the course of his duties as Field Director / Adviser and later Director of the Art Institute of Ontario. Fonds includes Adviser’s service reports, minutes of annual meetings, director’s reports, funding briefs, and two scrapbooks documenting the activities of the AIO. Fonds is comprised of the following series: 1. Adviser’s service reports 2. Minutes, director’s reports and funding briefs 3. Scrapbooks

Fonds consists chiefly of correspondence received by Harold Murchison Tovell, Ruth Massey Tovell and Vincent Tovell, most notably from their friends the French artist Jacques Villon and his wife Gaby from 1928 to 1962. Other correspondence concerns the lending and donation of family artworks. Also included are catalogues for exhibitions of the works of Jacques Villon and his brother Raymond Duchamp-Villon as well as inventories and photographs of Tovell family artworks and furnishings. The fonds comprises ca. 83 items. Fonds is comprised of the following series: 1. Harold Murchison Tovell correspondence 2. Ruth Massey Tovell correspondence 3. Vincent Tovell correspondence 4. Jacques Villon exhibition correspondence 5. Jacques Villon exhibition catalogues 6. Tovell collection photographs 7. Tovell collection inventories

Fonds consists of correspondence with art dealers, experts and auction houses; photographs of artworks; hand-painted illustrations of ceramics; inventories of art and ceramics collections; descriptive catalogues of the art collection; research notes on the provenance of works of art; art-related publications; and wills pertaining to the development, maintenance and dispersal of the Van Horne family collections of paintings and ceramics over the course of three generations in Montreal from late 19th to the end of the 20th century. Fonds is comprised of the following series: 1. Sir William Van Horne’s notebooks 2. Sir William Van Horne’s files 3. Sir William Van Horne’s collections record books 4. Photo reproductions of works of art 5. Illustrations of ceramics by Sir William Van Horne 6. Note card collections inventories 7. “Dummy” catalogue 8. Division of collection records 9. Miscellaneous documentation of collection 10. Adaline Van Horne’s correspondence 11. Miscellaneous inventories 12. Robert J. Wickenden catalogues 13. Margaret Van Horne’s files 14. Margaret Van Horne’s binders 15. Janet Hannon’s provenance notes

The fonds consists of exhibition lists; manuscripts of articles, lectures, radio broadcasts, and a book; correspondence; art education pamphlets; materials related to a National Film Board production about the artist; papers about other artists; memorabilia from the Arts and Letters Club, Toronto; photographs and papers relating to Tom Thomson; and a source book on Arthur Lismer prepared by Marjorie Lismer Bridges.