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Archival description
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CA ON00365 WCH-OPH · Fonds · 1950-1978

Fonds consists of the records of the Division of Ophthalmology of Women's College Hospital from 1950-1978. Fonds contains minutes, annual reports and correspondence. Fonds is comprised of the following series: OPH-1 Annual reports of the Division of Ophthalmology OPH-2 Minutes of the Section of Ophthalmology OPH-3 Correspondence of the Division of Ophthalmology

Women's College Hospital. Division of Ophthalmology
CA ON00365 WCH-PSY · Fonds · 1989-1994

Fonds consists of the records of the Department of Psychiatry of Women's College Hospital dating from 1989-1994. Fonds contains departmental reviews, a historical profile and an interim evaluation for the Brief Psychotherapy Centre for Women, a program developed by the department. Fonds is comprised of the following series: PSY-1 Department of Psychiatry reviews PSY-2 Brief Psychotherapy Centre for Women interim evaluation PSY-3 Department of Psychology historical profile

Women's College Hospital. Department of Psychiatry
Fonds · 1899-1986

The fonds consists of exhibition lists; manuscripts of articles, lectures, radio broadcasts, and a book; correspondence; art education pamphlets; materials related to a National Film Board production about the artist; papers about other artists; memorabilia from the Arts and Letters Club, Toronto; photographs and papers relating to Tom Thomson; and a source book on Arthur Lismer prepared by Marjorie Lismer Bridges.

Lismer, Arthur, 1885-1969
Tim Zuck fonds
Fonds · 1966-2000

The fonds consists of personal and professional correspondence, exhibition and projects files, exhibition catalogues, newspaper articles and reviews of Tim Zuck’s work, multimedia records including art related photographs, films, audio cassette tapes, conceptual art projects, exhibition notices, financial records, and publications. Fonds consists of the following series: Correspondence files Publicity material Exhibition and projects files Financial records Art college projects Art ephemera (other artists) Publications

Zuck, Tim, 1947-
Gallery Moos fonds
Fonds · 1959-1998

Fonds consists of administrative records of Gallery Moos, including files on artists and associated dealers and galleries, art fair participation and travel. Fonds also contains the gallery’s published output, including exhibition invitations and catalogues, posters, and limited edition publications. Two films on gallery artist Gershon Iskowitz are also included. Fonds is comprised of the following series: Artist files Gallery, dealer and associate files Art fair files Travel files Exhibition invitations and catalogues Posters Films Limited edition publications

Moos, Walter, 1926-
Newton MacTavish fonds
CA ON00012 SC018 · Fonds · 1900-1961

Fonds consists of photographs of Canadian artists and paintings, personal and professional correspondence of Newton MacTavish, manuscripts, offprints, illustrations, newspaper articles and reviews and other photographs. Included are correspondence and manuscripts of Kate Johnson MacTavish. Fonds is comprised of the following series: Correspondence Manuscripts Offprints Reviews Newspaper clippings Original illustrations Photographic studies Photographs of Canadian artists Photographs of paintings by Canadian artists Negatives Miscellaneous

MacTavish, Newton, 1877-1941
George Agnew Reid fonds
Fonds · [188-]-1947

Fonds consists of two scrapbooks containing material created and collected throughout George Reid’s life and were compiled by him in the late 1930’s. Volume I, 500 pages, contains photographs and notes on the Reid family; drawings, sketches, etc., as well as press clippings and exhibition catalogues relating to works of art by Reid and his first wife, Mary Hiester Reid. The 131 pages of Volume II are devoted to designs for buildings and their interior fittings, including summer homes and a church at Onteora, New York, houses in Wychwood Park (Toronto) including the Reid house, and Ontario College of Art designs. Materials include drawings in pencil, pastel and ink, watercolour sketches, small oil paintings, blueprints, photographs, postcards, letters, texts of speeches, letters, awards and material clipped from magazines and newspapers.

Reid, G.A. (George Agnew), 1860-1947
Helen Sanderson Sewell fonds
CA ON00012 SC089 · Fonds · 1920-1950

The fonds includes correspondence, newspaper and magazine clippings, photographs, drawings, poems, notes and memorabilia relating to Helen Sanderson’s student days at the Ontario College of Art and subsequent teaching career. Many of these were pasted into a scrapbook, entitled ‘Art School Days’, forming a distinctive memoir of student life in the 1920’s and 1930’s. The fonds is arranged in a single series.

Sewell, Helen Sanderson, 1905-2001
L.A.C. Panton fonds
CA ON00012 SC046 · Fonds · [18--]-1987

Fonds consists of correspondence, newspaper and magazine clippings, lecture notes, newsletters, cards and party invitations, exhibition catalogues, reproductions of art works, passport, certificates, and photographs relating to L.A.C. Panton’s personal and professional life. The photographs range from portraits of his family in England to scenes that provided the basis of paintings, particularly the Nova Scotia coastline. Correspondence relates to his involvement in art societies and his community in North Toronto but does not include his family life. Letters were received from several members of the Group of Seven, Florence Wyle, Arthur Heming, Fred Brigden, G.A. Reid and many others. Clipping files relate both to his professional life and his interest in economics and current events. The fonds arrived at the archives in no discernible order; order has been imposed by the archivist to correspond as much as possible to a file listing found in the fonds. Fonds is comprised of the following series: L.A.C. Panton’s file arrangement Other files Photographs

Panton, L.A.C. (Lawrence Arthur Colley), 1894-1954
Henry Sandham collection
CA ON00012 SC012 · Fonds · 1881-[ca. 1890]

Collection consists of a four-volume set of proof engravings by Henry Sandham for his illustrations in Century Magazine and other publications. The engravings were assembled by the artist, who inscribed in ink on the title page of volume 1: “The only complete set of proofs of the engravings from Hy Sandham’s drawings for Century Magazine from 1881 to 1886. These proofs were printed from the blocks before they were electro-typed and cannot now be reproduced except by being engraved again. The cost of each print in this book was fifty cents. Hy. S.”

Sandham, Henry, 1842-1910