Fonds SC037 - Jack Bush fonds

識別情報のエリア

レファレンスコード

CA ON00012 SC037

タイトル

Jack Bush fonds

日付

  • 1930-1981 (作成)

記述レベル

Fonds

数量と媒体

1,898 photographs
76 cm of textual records
18 ring binders
2 folders of graphic material

コンテクストのエリア

作成者名

(1909-1977)

履歴

John Hamilton Bush (1909–1977), primarily known as Jack Bush, was a Canadian painter best known for his Abstract Expressionist style. Born in Toronto, he lived in London, Ont. and Montreal during his early years. Jack Bush began his career in advertising, working in his father’s firm, Rapid Electro Type Company in Montreal. During this time, he studied at the Art Association of Montreal with Edmund Dyonnet and Adam Sherriff Scott. In 1928, he transferred to the company’s office in Toronto, where he took evening classes under Frederick Challener, John Alfsen and Charles Comfort at the Ontario College of Art. Bush’s early work as a painter was influenced by Comfort and the Group of Seven, and throughout the 1930s and ‘40s he produced largely landscape and figurative paintings. His first exhibition was with the Ontario Society of Artists in Toronto in 1936.
In 1934, Jack Bush married Mabel Mills Teakle, a family friend from Montreal, and together they had three sons, Jack Jr (b. 1936), Robert (b. 1938) and Terry (b. 1942). In 1953, dissatisfied with Canada’s place in the international contemporary art scene, Bush and several other Toronto abstract artists founded the group Painters Eleven. William Ronald, another member of Painters Eleven, and an artist who had worked in New York, introduced U.S. art critic Clement Greenberg to the group, which led to a lasting friendship between Bush and Greenberg. The contact with Greenberg in 1957 led to Bush’s international breakthrough in the early 1960s, beginning with his 1962 exhibition at the Robert Elkon Gallery in New York. Between the late 1950s and mid ‘60s, Bush painted in loose brushstrokes with diluted oils, staining paint onto unprimed canvas. In 1966, concerned by the health hazards associated with oil-based paints, he switched to water-based acrylics, less textured than oils but more brightly coloured.
In 1964, Jack Bush’s work was included in Greenberg’s Post-Painterly Abstraction at the Los Angeles County Museum, an exhibition that travelled to Minneapolis and Toronto. Along with Jacques Hurtubise, Bush represented Canada at the Bienal de São Paulo (Brazil) in 1967. In the year preceding his death in 1977 (from a heart attack), he received the Order of Canada. That same year, the Art Gallery of Ontario mounted a retrospective exhibition of his abstract works that travelled to several Canadian galleries. Jack Bush’s work is in the collections of the Art Gallery of Ontario, the National Gallery of Canada, the Montreal Museum of Fine Arts, Boston’s Museum of Fine Arts, London’s Tate Gallery and others.

リポジトリ

アーカイブズ資料の来歴

The materials now constituting the Jack Bush fonds were retained by the Jack Bush family following the artist’s death in 1977 until it was transferred to the Art Gallery of Ontario in 1987.

直接の取得先または移管元

Donated by the family of Jack Bush, 1987.

内容と構造のエリア

範囲と内容

Fonds consists of personal and professional records of Canadian painter Jack Bush, created chiefly in Toronto during the 1930s to 1970s: his personal diaries; record books containing notes on his paintings; photographs (slides, transparencies, negatives and prints) largely of his paintings but also of his studio, exhibit installations and other subjects; with scrapbooks of newspaper and magazine clippings about the artist, exhibition notices, examples of his commercial art, and further records of his paintings.
Contains series:

  1. Diaries
  2. Record books
  3. Photographs
  4. Scrapbooks
  5. Commercial art

評価選別、廃棄、スケジュール

追加資料

No further accruals are expected.

編成システム

アクセスの条件のエリア

アクセスの条件

Access to Series 1: Diaries is restricted. Access to Special Collections is by appointment only. Please contact the reference desk for more information.

複製の条件

Copyright is held by the Estate of Jack Bush. Copyright belonging to other parties, such as that of photographs, may still rest with the creator of these items. It is the researcher’s responsibility to obtain permission to publish any part of the fonds.

言語資料

  • 英語

資料のスクリプト

    言語とスクリプトの注記

    物理的特徴と技術的要件

    Some photocopies of newspaper articles have faded.

    検索手段

    A detailed finding aid is available.

    関連資料エリア

    原本の存在と所在

    コピーの存在と所在

    関連する記述記述単位

    The Karen Wilkin-Jack Bush collection (SC045) consists of records relating to the publication Jack Bush (Toronto: McClelland and Stewart, 1984), Karen Wilkin, contributing editor.

    関連の記述

    注記のエリア

    別の識別子

    アクセスポイント

    主題アクセスポイント

    場所のアクセスポイント

    名称アクセスポイント

    ジャンルのアクセスポイント

    記述コントロールのエリア

    記述の識別子

    機関識別子

    ルールおよび使用した規則

    状態

    Final

    詳細さの水準

    Partial

    日付の作成 訂正 削除

    August 8, 2013

    言語

    • 英語

    文字

      参考文献

      受入資料エリア