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Sam and Ayala Zacks were prominent Canadian art collectors of international repute active in the mid-20th century whose gifts form the basis of the modern European art collection at the Art Gallery of Ontario. Ayala Ben Tovim Fleg Zacks Abramov (1912-) was born in Jerusalem and educated in Israel, Paris and London. In 1938 she married Maurice Fleg in Paris, and joined the French Resistance after her husband died in action in1940. Active in Zionist circles after the war, she met Sam Zacks in Switzerland. Samuel J. Zacks (1904-1970) was a financier, Zionist and art collector, born in Kingston Ontario and educated at Queen’s University and Harvard. Following their marriage in 1947 they immediately began to collect art of the School of Paris as well as Canadian and Israeli art and antiquities, amassing an extensive collection by the late 1950’s that was in continual demand by museums around the world. In 1956 a collection of Canadian art was donated to Queen’s University, Mr. Zack’s alma mater, the first of many significant gifts to institutions in Israel and Canada including the Hazor Archaeological Museum, the Royal Ontario Museum and the Art Gallery of Ontario. Mr. and Mrs. Zacks were both involved in international art circles, sitting on the Boards of the International Committee of Museums (ICOM), a branch of UNESCO, the International Committee of the Museum of Modern Art, the Art Gallery of Ontario and others. In 1969 Mr. Zacks received an Honourary Fellowship from St. Peter’s College, Oxford. He died in 1970 in Toronto. After his death, Ayala Zacks was awarded the Order of Canada and an honourary degree from the University of Toronto. She married Zalman Abramov, an Israeli lawyer and politician in 1976 and moved permanently to Israel in 1982.

Gilbert Forrest Bagnani (1900-1985) was a professor of ancient history. He was born in Rome to General Ugo Bagnani and Florence Dewar. He served as a Second Lieutenant of artillery towards the end of World War I. After the War he returned to the University of Rome where he received his doctorate. Instead of entering law as he had planned, he turned to the Italian School of Archaeology in Athens to study antiquities. In 1929 Gilbert married Mary Augusta Stewart Houston (1903-1996) of Toronto, daughter of Stewart Houston (editor of "The Financial Post") and Augusta Robinson (daughter of John Beverley Robinson, Lieutenant-Governor of Ontario, and granddaughter of Sir John Beverley Robinson, Chief Justice and Attorney-General of Upper Canada). Gilbert and Stewart had an apartment in Rome and for seven seasons worked, in the Sahara Desert, with the Royal Archaeological Mission to Egypt. In 1937 they fled fascist Italy and purchased a 200 acre farm and house built around 1845 near Port Hope, Ontario and named it "Vogrie". In 1945 Gilbert was invited to teach ancient history at the University of Toronto and in 1958 became a Professor. He retired from the University of Toronto in 1965. The Bagnanis returned to "Vogrie". In the same year, Gilbert was asked to accept a term-appointment at Trent University. He was honoured with a LL.D. by Trent in 1971 and he continued to teach as a Professor of Ancient History until 1975.

Paul Bennett was hired as the AIO’s first Field Director / Adviser in 1959, and remained in this capacity until 1964. He then became Director, serving until 1968.

Clara Bernhardt (1911-1993) was a poet, novelist, composer, and columnist, who lived in Cambridge, Ontario. At the age of eleven she was stricken with polio and confined to a wheelchair. Although she was unable to pursue more that a Grade 8 education, Bernhardt wrote poetry, articles, and stories. Her newspaper columns circulated in Canada and the United States for more than sixty years, and she was a columnist for the Preston Times Herald (now the Cambridge Times) for thirty years. She published three volumes of poetry, two novels, and a book of songs. In 1991 Clara Bernhardt was presented with the Order of Ontario.

Charles Bibby was born in Manchester, England on September 15, 1880. The son of a Confectioner, Bibby was the oldest male of four children. After studying accounting and becoming a public accountant, Bibby immigrated to Canada with his wife Mary Swain (1881-1967) in March 1903. The couple settled in North Bay where Bibby worked as a clerk, and later as an accountant for the Canadian Pacific Railway (CPR).

The Bibby family suffered several tragedies while in North Bay with the deaths of three daughters (Isabella Bibby June 1902 [Lancashire, England] - January 10, 1904 [North Bay, cause: bronchitis for 2 weeks], Georgina May Bibby September 14, 1904 - August 28, 1905, [cause: diarrhea for 3 weeks], and Beatrice Bibby October 1, 1905 - September 3, 1906 [cause: diarrhea for 5 weeks]). On October 19, 1910, the couple had their last and only surviving child Charles Fredrick Bibby (who later became Warden Bibby with the Ministry of Natural Resources). Shortly afterwards (before June 1911), the Bibby family moved to Sudbury due to a transfer with the CPR.

While in Sudbury, Charles Bibby continued to work for the CPR and later gained employment as an accountant for the Sudbury-Copper Cliff Street Railway until his retirement in 1945. He also belonged to the Nickel Lodge 427 of Ancient Free and Accepted Masons (he was initiated in Sudbury in 1918, became a Worshipful Master in 1924 and a Grand Steward in 1959) as well as the Tuscan Chapter 95 Royal Arch Masons, Mavar Preceptory 65, the Sudbury Shrine Club, and Rameses Shriners Temple in Toronto.

In 1928, Charles Bibby was elected mayor of the Town of Sudbury and was re-elected in 1929, the year before the town became a city.

Charles Bibby passed away on August 7, 1970 at the age of 89.

Jim Birtch (19-- - ) is the Executive Secretary of the Canadian Biosphere Reserves Association, a non-profit association incorporated in 1997, to provide support and networking relationships that help develop and maintain biosphere reserves throughout Canada.

George Blair (1852-1935) was a prominent member of the Burlington, Ontario community as a builder and fruit farmer, an elder and treasurer of Knox Presbyterian Church and a municipal councillor. He also served several terms on both the public and high school boards and was also a member of the Fruit Growers Association. Many of the houses that Blair built are still standing and several of them have plaques from the Burlington Heritage Committee. Blair was born at Harper's Corners, Ontario and as an adult, lived and worked as a carpenter in Kilbride. In 1886, he built a home for his first wife, Lorentia (nee Parkin) and their family at 472 Burlington Avenue, Burlington. In 1893, the now-widowed Blair married Hannah Smith (nee Shepherd), who was also widowed. George Blair feared the effect of city living on their sons and so bought a 50-acre fruit farm on Brant Street. Though rural in character, it was still within the boundaries of the Town of Burlington. Together, the couple raised their several children: George's two sons H. Melvin and Ferguson G., and daughter, Mary Grace, Hannah's two sons, Henry Melvin Smith and Edward (Ted) Shepherd Smith, as well as the couple's sons George Stanley and John Nicoll, and daughters Eva Marion and Mabel Beatrice.

John Bernard Boyle (1941- ) is an artist, activist, curator and writer who has lived and worked in St. Catharines, London, Elsinore, and Peterborough, Ontario. He married Janet Perlman, with whom he has one daughter, Emily. Boyle was educated at London Teachers’ College and the University of Western Ontario, and is self-taught as a painter. He taught elementary school in St. Catharines intermittently between 1962 and 1968. In 1974 he moved with his family to a converted church in Elsinore, Ontario (near Owen Sound), where he had his studio until 2002. He is currently based in Peterborough. Boyle began to exhibit his paintings in 1964, the same year he was inspired by meeting London artists including Jack Chambers and Greg Curnoe. In 1966 controversy arose at the London Public Library and Art Museum over Boyle’s exhibited piece Seated Nude. Boyle was an early participant in London’s 20/20 Gallery. In 1972 he designed sets for the play Buffalo Jump at Theatre Passe Muraille, Toronto; that same year he curated the first Billboard Show in St. Catharines. In 1980 Boyle completed the mural Our Knell for Queen Subway Station, Toronto. From 1973 through the 1990s, Boyle exhibited regularly at Nancy Poole’s Studio, Toronto. A key figure among the artist activists who established professional representation and rights for artists in the early 1970s, Boyle was the founding spokesperson of Canadian Artists Representation Ontario (CARO) in 1971. In 1970 he served as the first president of the Niagara Artists Co-operative (later Company). Boyle was a member of the Board of Trustees of the Art Gallery of Ontario, 1975-1977. Boyle has written extensively in journals including 20 Cents Magazine, Parachute, and Twelve Mile Creek. His regular column “According to Boyle” in CAROT (1975-78) dealt with challenges facing artists. Boyle has written three novels, No Angel Came (1995); and the unpublished The Gergovnians and The Peregrinations and Permutations of a Young Artist in Canada. His illustration and book design work includes The Port Dalhousie Stories by Dennis Tourbin (1987), as well as several magazine articles and book jackets. He initiated the discipline of “Canadology” in 1989 to record the social customs of the country. Boyle is a founding member (since 1965) and principal kazooist of The Nihilist Spasm Band. His work is represented in numerous Canadian collections, including the National Gallery, the Art Gallery of Ontario and the Montreal Museum of Fine Arts.

Elaine Briere is a Vancouver documentary-maker, photographer, journalist and social justice activist. Her documentary, Bitter Paradise: The Sell-Out of East Timor, won the best political documentary award at the Hot Docs Festival, North America’s preeminent documentary film showcase, in 1997. In addition to her work on East Timor, which includes a published collection of photographs (Testimony: Photographs of East Timor, Between the Lines, 2004), Briere has directed a documentary on Canadian merchant seamen, Betrayed: The Story of Canadian Merchant Seamen (1997), and has produced photo-journalism and print articles for "The Tyee", "Briarpatch", "Our Times", and other publications dedicated to labour and social justice issues. Briere’s photographs have appeared in many publications including, Carte Blanche Photography 1 (2004); The Other Mexico: The North American Triangle Completed (1996), South East Asia Tribal Groups and Ethnic Minorities (1987) and The Family of Women (1979). Her photographs have been featured in exhibits in Canada, Japan, Sweden and the United States.

Dr. Yehoshua (Shieky) Brownstone is a photographer in London, Ontario. He was formerly a Professor in the Biochemistry Department at the University of Western Ontario.

John Hamilton Bush (1909–1977), primarily known as Jack Bush, was a Canadian painter best known for his Abstract Expressionist style. Born in Toronto, he lived in London, Ont. and Montreal during his early years. Jack Bush began his career in advertising, working in his father’s firm, Rapid Electro Type Company in Montreal. During this time, he studied at the Art Association of Montreal with Edmund Dyonnet and Adam Sherriff Scott. In 1928, he transferred to the company’s office in Toronto, where he took evening classes under Frederick Challener, John Alfsen and Charles Comfort at the Ontario College of Art. Bush’s early work as a painter was influenced by Comfort and the Group of Seven, and throughout the 1930s and ‘40s he produced largely landscape and figurative paintings. His first exhibition was with the Ontario Society of Artists in Toronto in 1936.
In 1934, Jack Bush married Mabel Mills Teakle, a family friend from Montreal, and together they had three sons, Jack Jr (b. 1936), Robert (b. 1938) and Terry (b. 1942). In 1953, dissatisfied with Canada’s place in the international contemporary art scene, Bush and several other Toronto abstract artists founded the group Painters Eleven. William Ronald, another member of Painters Eleven, and an artist who had worked in New York, introduced U.S. art critic Clement Greenberg to the group, which led to a lasting friendship between Bush and Greenberg. The contact with Greenberg in 1957 led to Bush’s international breakthrough in the early 1960s, beginning with his 1962 exhibition at the Robert Elkon Gallery in New York. Between the late 1950s and mid ‘60s, Bush painted in loose brushstrokes with diluted oils, staining paint onto unprimed canvas. In 1966, concerned by the health hazards associated with oil-based paints, he switched to water-based acrylics, less textured than oils but more brightly coloured.
In 1964, Jack Bush’s work was included in Greenberg’s Post-Painterly Abstraction at the Los Angeles County Museum, an exhibition that travelled to Minneapolis and Toronto. Along with Jacques Hurtubise, Bush represented Canada at the Bienal de São Paulo (Brazil) in 1967. In the year preceding his death in 1977 (from a heart attack), he received the Order of Canada. That same year, the Art Gallery of Ontario mounted a retrospective exhibition of his abstract works that travelled to several Canadian galleries. Jack Bush’s work is in the collections of the Art Gallery of Ontario, the National Gallery of Canada, the Montreal Museum of Fine Arts, Boston’s Museum of Fine Arts, London’s Tate Gallery and others.

Frederick Sproston Challener, painter, was born in Whetstone, England in 1869 and came to Canada in 1870. He studied at the Ontario School of Art, was first exhibited in 1900 at the Royal Canadian Academy and subsequently worked as a newspaper artist. After a tour of Europe and the Middle East in 1898-99, he began working as a muralist and participated in the decoration of the recently completed Toronto City Hall. At the end of the First World War, Challener worked as a painter for the Canadian War Records Department. He made his career chiefly by creating murals for passenger boats, restaurants, hotels—such as Fort Rouillé in the King Edward Hotel,Toronto—office buildings and theatres, including the Royal Alexandra Theatre in Toronto. He also produced easel paintings, watercolours and drawings in a realistic, romantic style. From 1927-1952 he taught at the Ontario College of Art, during which period he made notes and assembled material on Canadian artists. He died in Toronto in 1959. Challener was a member of numerous arts organizations including the Toronto Art Students’ League, Ontario Society of Artists, Royal Canadian Academy, Society of Mural Decorators of Toronto and the Arts and Letters Club of Toronto (founding member, 1908). His work is in the National Gallery of Canada, the Civic Art Gallery, Winnipeg, the Art Gallery of Ontario and numerous public buildings.

Jack (John Richard) Chambers, artist and experimental filmmaker, was born in London, Ontario in 1931. He studied at the Escuela Central de Bellas Artes de San Fernando in Madrid from 1957 to 1959. In Spain he met Olga Sanchez Bustos, whom he married in Canada in 1963. They made their home in London and had two children, John (b. 1964) and Diego (b.1965). Chambers’ style of painting and drawing in the 1960s was characterized by a dreamlike quality. Toward the end of that decade, his work became intensely focused on the depiction of reality, often relating closely to source photographs, most of which were taken by the artist himself. Between 1964 and 1970 Chambers also directed eight films. The subjects of his work were often domestic or regional, focusing on his experience in London. In 1967, Chambers founded Canadian Artists’ Representation to try to establish fee scales for reproduction rights and rental fees for works in public exhibitions, and served as president from 1967 to 1975. In 1969 Chambers published his essay “Perceptual Realism”, and that same year, was diagnosed with leukemia. From 1971 to 1977 he worked on “Red and Green,” a study of art and perception (unpublished). Chambers died in London in 1978. His work is in the collection of the Art Gallery of Ontario, the National Gallery of Canada, the Montreal Museum of Fine Arts, and numerous other Canadian galleries.

Eeva Annikki Kantokoski was born May 8, 1924 in Alajärvi, Finland to Matias (Matti) Niilo Kantokoski (born 1901), and his wife Anna Milia (born 1903). The family name was shortened from Kantokoski to Koski, but it is unclear when exactly this occurred. Eeva Annikki and her parents immigrated to Canada in 1924. They arrived in Halifax, Nova Scotia on August 2, 1924, and then settled in Sudbury, Ontario. In December 1925, Eeva Annikki’s brother, Veikko Vesa Matias Kantokoski (Koski) was born. Sometime after their arrival in Canada Eeva Annikki's name was changed to Ann Eva, though others often referred to her as Anne, Anni or Annie. The family's early years were spent in Sudbury, Ontario. After the death of their mother in 1933, Ann and her brother Veikko lived with their father in Sudbury during the summer months and their aunt Ida Marie (Koivula) Lehti in Oshawa during the winter. Ann completed her education in Sudbury, Ontario in 1939, and gained a High School Entrance Certificate, though she did not attend due to the cost. Once she completed her schooling in 1939 she found employment in domestic service for Mrs. J. Ferrier, in Sudbury. Between 1940 and 1941 she worked at Korpela's Grocery Store on Bancroft Drive, and Maki's Restaurant on Elgin Street in Sudbury, Ontario. In 1942, Ann moved to Malartic, Quebec to work in a bunkhouse and kitchen in a mining town. There she met Archie Chisholm, whom she married in Montreal on May 24, 1942. Their first child, Carl Richard, was born on December 24, 1943. When her husband was posted overseas during World War II, Ann returned to Sudbury to stay with relatives, and completed a Red Cross Volunteer Nursing Service course during that time. After the Second World War, Ann and Archie had two more children; Leslie Karen, born March 8, 1947, and Barry Neil, born October 8, 1955. While living in North-western Quebec, Ann contributed her time to the Protestant Elementary School Board and the Canadian Air Force Ground Observer Corps. In 1974, she separated from her husband and moved to Dartmouth, Nova Scotia. There she completed high school and went on to study nursing. She became a Certified Nursing Assistant, and obtained a post-graduate diploma in psychiatric nursing. Between 1976 and 1986 she worked at the Nova Scotia Hospital. Ann Eva Chisholm died on March 12, 2000 at the age of 74, and is buried in Dartmouth, Nova Scotia.

Gordon Conn (ca.1888-1977) was an art collector and supporter of visual art in Toronto. He studied to be a musician and worked as a painter in his youth. Although he did not pursue a career as an artist, he maintained connections with many artists. He was a friend of the painter Kenneth Forbes (1892-1980) who painted Conn’s portrait in 1935. Together with Forbes, Gordon Conn founded the Ontario Institute of Painters devoted to the display of painting based on what Forbes called “traditional” art values. Conn turned over his studio in Wychwood Park in Toronto—The Little Gallery—to a series of one-man shows of its members. Near the end of his life, he donated paintings by artists represented in this collection to public art galleries in Ontario.

Terry Copp was born in 1938 and grew up in the Montreal suburb of Notre Dame de Grace. He attended Sir George Williams University (now Concordia) where he earned his bachelor’s degree. His career as an educator began prior to graduation when, in his third year, a teaching position at the University. As a condition of his employment, he was required to graduate before the beginning of classes in September and enroll in the Master of Arts program at McGill. After his year of teaching at Sir George Williams, he taught history at Westmount Junior High School. While there, he became concerned about the conditions at a local residential house where a number of his students lived, known as Weredale House. When he had a letter outlining his views published in the Montreal Star, many supporters of Weredale were upset and Copp left his position with the school board.

Copp completed his MA in 1961 and soon after was accepted into the PhD program at McGill. After a realization that his thesis would not work out, he took a job at a high school in Lindsay Ontario as an emergency replacement geography teacher. After this, was offered a full-time position teaching history at Loyola College and part-time teaching courses at McGill. He became a full-time faculty member at Loyola for the 1965/66 academic year while still teaching the Canadian history survey at McGill.

In 1968, Copp married and became a father to two step-children and later a third. In 1970, he took a position at Sir George Williams, which led to a year-long position as visiting professor at the University of Victoria. While in this position he was able to complete much of the manuscript for what became The Anatomy of Poverty: The Condition of the Working Class in Montréal 1897-1929, which was published in 1974. In 1975, Copp and his family left Montreal when he took up a position at Wilfrid Laurier University. In 1980, Copp’s research interest shifted from labour history to military history. He has published extensively in this area of study, including the five-volume Maple Leaf Route series with Robert Vogel, and numerous articles in Canadian Military History and other journals. In 1991, Copp and Marc Kilgour were awarded a grant from the Security and Defense Forum to finance what became the Laurier Centre for Military Strategic and Disarmament Studies.

Copp has been involved in numerous projects outside of the university. He has served as a research director and on-camera historian for the television documentary series “No Price Too High”, which was produced in response to the controversy caused by the CBC’s “The Valour and the Horror”. He was involved in the Canadian Battle of Normandy Foundation raising money for a Canadian Memorial Garden and student bursaries.

Copp retired in 2005 and is currently professor emeritus of history and director of the Laurier Centre for Military, Strategic and Disarmament Studies at Wilfrid Laurier University. He also writes a series of feature articles that have been published in Legion Magazine since 1994.

Eva Wolotko was born in November 1903 to parents Anton Wolotko and Mary Fox Wolotko in Chapleau, Ontario. Wolotko had one brother, Joseph Wolotko (October 1910 - December 12, 1949, AKA Joe Wolotko), who played hockey for teams in Chapleau and Falconbridge, Ontario in the Nickel Belt League. In 1938 Eva Wolotko moved to Sudbury, Ontario and in 1940 she married Earle Cram (aka Erle C. Cram, Ernie Cram, 1907-1964), a firefighter and former lumber and construction worker. The marriage ceremony occurred in Wolotko's hometown of Chapleau but the couple lived in Sudbury. Eva Wolotko Cram had a career as a dressmaker and later as a school crossing guard. She belonged to St. Andrew the Apostle Roman Catholic Church and died on September 26, 1987 at the age of 83.

Greg Curnoe (1936-1992), artist, lived most of his life in London, Ontario. He studied at the Special Art Program at H.B. Beal Secondary in London (1954-1956), the Doon School of Fine Arts (June-October 1956), and the Ontario College of Art (1957-1960). Curnoe married Sheila Thompson in 1965, and the couple had three children, Owen, Galen and Zoe. From Curnoe's early years, his hometown of London became the focus of his life and work, and he attracted much attention to its flourishing art scene. In 1962, he organized the first happening and the first artist-run gallery (the Region Gallery) in Canada. Curnoe played a key role in the founding of the Nihilist Party (1963) and the Nihilist Spasm Band (1965). He began making stamp books in 1962, and has been considered the first maker of artists' books in Canada. He founded the Forest City Gallery in 1973. Curnoe took up competitive cycling in 1971, and it remained a passion and ingredient in his art-making for the rest of his life. Over the course of his career, Curnoe was awarded numerous Canada Council and Ontario Arts Council Grants. From 1964, Curnoe exhibited nationally; in 1969 he represented Canada at the Sao Paolo Bienal in Brazil, and in 1976 at the Venice Biennale. He died in a traffic accident while cycling in 1992. Curnoe was the subject of a National Gallery of Canada retrospective in 1980, and the AGO exhibition Greg Curnoe: Life & Stuff in 2001. His work is to be found in all of Canada’s major public collections, as well as many private and corporate collections.

Nellie Olive Curnoe (née Porter, 1909-1999) was the mother of Canadian artist Greg Curnoe (1936-1992). She married Gordon Charles Curnoe (1909-1985) in 193- and had three children: Greg, Glen (b. 1939) and Lynda (b. 1943). For biographical information on Greg Curnoe, see the finding aid to the Greg Curnoe fonds at this library, or Judith Rodger’s chronology in the 2001 Art Gallery of Ontario catalogue Greg Curnoe: Life & Stuff.

Michael Dudowich was born January 31st, 1927 in Garson, Ontario. As a young student, Dudowich began working on the weekends for Mr. W.E. Mason at the Sudbury Star in 1943. In high school, Dudowich was the Director of Photography for the Sudbury High yearbook the Wolfhound as well as Assistant Editor for the Catholic Youth Organization Bulletins affiliated with St. John the Evangelist Roman Catholic Church. In the 1946 Sudbury High yearbook, grade twelve student Dudowich stated his future goal for later in life was to photograph actress Lana Turner.

In 1947, the Dudowich family moved from Garson to Riverside Drive, Sudbury, Ontario. After graduating with honours from Sudbury High School, Dudowich worked for a short time as a locomotive fireman and then proceeded to work full time for the newspaper. Eventually, he became the photographic supervisor for the Sudbury Star and held the position of 'Chief Photographer' for decades prior to his retirement in May, 1976.

Dudowich was an active member of the Commercial and Press Photographers' Association of Canada (CPPAC) for many years. He frequently attended the short course in photography held annually at the University of Western Ontario by the group and won multiple awards for his photographs including the CPPAC Award of Merit and several of the Canadian Press Picture-of-the-Month awards. He was chosen Best Photographer of Canada, and his work appeared in the publication "America." In 1972, Dudowich received awards from the Canadian Government and the Canadian Press for his work in the Russian/Canadian Hockey Series of that year.

Dudowich was a charter member of the Idylwylde Golf and Country Club, a member of the Ukrainian Congress of Canada, the Laurentian Museum and Arts Centre and St. Mary's Ukrainian Catholic Church.

Michael Dudowich passed away on May 4th, 1998 at the age of 71.

Jim Dufour was born in Thunder Bay, Ontario in 1945. He moved to Sudbury for work at INCO in 1964 at the Copper Cliff Iron Ore Plant. After a year in Copper Cliff, Dufour was moved to Stobie Mine where he worked for the next 34 years. At Stobie, Dufour performed a variety of tasks over the years including working underground. For the last 15 years of his career, Dufour was responsible for scheduling and training miners at Stobie. He co-ordinated the instuctors for training new employees on the history of mining, terminology, current practices, and safety. After 35 years at INCO, Jim Dufour retired in 1999.

Robert (Bob) Elstone was an active member of the Burlington, Ontario community. His obituary reads: “… Bob was a man of vision and courage who wore many hats with a passion. Not only was he a WWII veteran (First Mate in the Merchant Navy), but an ambitious agriculturalist, naturalist, historian, entrepreneur, volunteer, world traveller, map enthusiast, master mariner, and master swimmer. He was the proud proprietor of Elstone Stationery for almost fifty years which was the hub of the community. His goal was to help and serve people. He was known as “Mr. Rotary” and during his years of service he has been involved in the formation of nine Rotary clubs including two in Egypt; as well as the past president of Burlington Central. Bob was the co-founder of the Burlington Rotary Fall Music Festival. He has been honoured twice with the Paul Harris fellowship, Rotary’s highest honour. He was instrumental, along with others, in establishing the Burlington YMCA., He received the first achievement award in 1976. For 36 years he had a teen program on Saturday nights at the YMCA and over one hundred teen weekend camps over the years. Bob was honoured as citizen of the year for Burlington in 1997. He was also the chairman of the Burlington Beautification Committee and Chairman of the Burlington Uniform Hours Association. He was an Honorary Life member of Hamilton-Burlington YMCA, Burlington Historical Society, Hamilton Naturalist Club and West Flamborough Heritage Society….”

John Faichney is a Canadian dancer, television producer and software analyst born in Montreal in 1952. He graduated from Oberlin College where he developed an interest in choreography and dance improvisation. In May 1976 he performed at the Centre for Experimental Art & Communication (CEAC) in Toronto and was invited to join the Centre’s staff. Amongst other activities, he designed printed matter, maintained exchange programs with other artists’ groups, curated an exhibition of artists’ books and managed distribution of mailings and periodicals (including Strike, a quasi monthly newspaper.) An offshoot of the Kensington Art Association, CEAC moved in 1976 to 86 John Street and then to 15 Duncan Street, offering space for performance art, installations, videos and music. Key members of the group were Amerigo Marras, Suber Corley, Bruce Eves and Ron Gillespie (a.k.a Ron Giii); Marras in particular encouraged connections with European and American artists. The group became increasingly politicized and in 1978 its government funding was rescinded. An attempt at self sufficiency by starting a television production studio at 124 Lisgar Street was not sustainable and CEAC disbanded in 1980. John Faichney lives in Kitchener, Ontario, and remains involved with Contact Improvisation.

Maureen Forrester (1930-2010), born in Montreal, Quebec, was one of the world's leading contraltos. After making her professional debut in 1951, she toured the world performing with virtually every major choir until the 1990s. In 1965 she began giving master classes. She was chairman of the voice department at the Philadelphia Music Academy from 1966 to 1971 and later taught part-time at the University of Toronto and the University of Alberta. Forrester was chair of the Canada Council 1983 to 1988, chancellor of Wilfrid Laurier University 1986-1990, and in 1986 she was honorary president of the International Year of Canadian Music. Maureen Forrester received many awards and recognitions including 30 honorary degrees. She was named a Companion of the Order of Canada in 1967, awarded a Canadian Music Council medal in 1983, received the Order of Ontario in 1990, and inducted into the Juno Hall of Fame. Wilfrid Laurier University named its recital hall in her honour and established a scholarship in her name.

Robert William Geary (fl. 1913-1933) lived in Niagara Falls, Ontario. According to a note in the inventory, in 1913 the Geary family lived at 33 Barker Street. Geary was the third president of the Lundy’s Lane Historical Society (1908 1932), and was the author of Historical sketches : a memorial of the hundredth anniversary of the War of 1812-14, 1912. He died in June, 1933.

Len Gertler (1923-2005) was a planner, administrator, author, and university professor, whose areas of study included planning, and public policy. Gertler was born in Montreal, Quebec, and was educated at Queen's University, McGill University, and the University of Toronto. Throughout his career he held a wide variety of positions. Len Gertler served as Director of the Edmonton District Planning Commission, and also held the position of Deputy Commissioner of Planning for the City of Toronto. In 1966 he became a professor at the University of Waterloo, establishing a new program in Urban and Regional Planning. He was also involved in establishing the University of Waterloo's Faculty of Environmental Studies, and became the first Director of the School of Planning. Gertler was the coordinator and author of the Niagara Escarpment Study in 1968. His international work included assignments in Indonesia, Jamaica, India, Japan, and Uzbekistan. Gertler was a member and Vice-Chair of the Ontario Environmental Assessment Board, from 1990-2001. The Canadian Institute of Planners' Award for Planning Excellence in 2001 was named in honour of Len Gertler.

George Grace was born January 15, 1917. He moved to Sudbury, Ontario from Toronto on December 15, 1939 and began work as a sports reporter for The Sudbury Star in 1942. After serving in World War II, Grace returned to reporting for The Sudbury Star. During the 1950's, Grace developed polio which left his right hand atrophied and forced him into a wheelchair for several years. With the help of his wife Isobel, his condition improved and he continued writing sports articles. Grace was eventually promoted to Executive Editor before retiring in 1980. Ten years later, Grace began a regular sports column entitled 'Looking Back' which ran for about a decade. His final article appeared in the paper December 31, 2000. George Grace passed away December 23, 2007 at the age of 90.

Robert Frederick Hagan, painter, printmaker and educator, was born in Toronto, Ontario in 1918. He was educated at Central Technical School (Toronto) and the Ontario College of Art. From 1941-1946, Hagan was employed as Resident Artist and Master at Pickering College in Newmarket, Ontario. In the spring of 1946, Hagan journeyed to New York for further studies. Later the same year, he began teaching at the Ontario College of Art. In 1955 he became Head of Printmaking, a position which he held until his retirement in 1983. Frederick Hagan has held memberships in the Canadian Society of Graphic Art (of which he was made an Honourary Member in 1965), the Canadian Society of Painter-Etchers and Engravers, the Ontario Society of Artists, and the Print and Drawing Council of Canada. His work is in the collections of numerous Canadian galleries. Frederick Hagan passed away on September 6, 2003 at the age of 85.

Jacob 'Jack' Sebastian Heit was born on February 5, 1914 in Tramping Lake, Saskatchewan. He moved to Sudbury, Ontario, travelling by train at a cost of $6, and arrived on March 25, 1938. Heit took many odd jobs such as seasonal mail deliverer during the Christmas season in 1939 or work for Pioneer Construction in 1940. Other odd jobs included 'pick and shovel' work, farm work, house construction, cement drilling, and steel jobs. He worked for firms such as Red Brown Cement Products, Gustiana Company, and A.L. McGinn using his skills as a mechanic and blacksmith. He began his career at Falconbridge Nickel Mines Ltd in 1941 underground as a miner. He later became an Inspector for Mine Safety and First Aid. Heit was certified in basic Mine Rescue Training at the Sudbury Rescue Station in June 1948. By 1951, he received the Advanced Mine Rescue Training and in 1961 the Supervisory Advanced Mine Rescue Training. In May 1950, Heit was a member of the winning team of the inaugural First Aid Championship of Falconbridge Nickel Mines at a competition held in the Community Hall. Heit continued to compete in both local and Northern Ontario mine rescue competitions and won several times. Awards included the H.J. Fraser Trophy for defeating the top plant first aid team at Falconbridge.
Heit was also an avid volunteer with the Garson Volunteer Fire Department for 20 years (circa 1950 to February 1971). When Heit resigned from the fire department, he held the position of 'deputy fire chief.' He was also an amateur photographer and won 1st prize for the best photograph of the King and Queen's visit to Sudbury in 1939.
Jack Heit married Katherine 'Kay' Kraft (born March 4, 1918 in Allan, Saskatchewan) on February 5, 1940 at Christ the King Church in Sudbury, Ontario. They had five daughters, Diana (1941), Janet (1943), Marilyn (1947), Kathy (1948), and Susan (1954).
Heit retired from Falconbridge Ltd in 1976. He remained active in the community with bridge games, curling, and water skiing. For their 50th wedding anniversary, Jack and Kay Heit renewed their vows at the same church they were originally married.
Jack Heit passed away on November 5, 1999 at the age of 85 at Extendicare York in Sudbury, Ontario.

Jim Heldmann is an alumnus of Wilfrid Laurier University having graduated with a BA in 1958 and an MA in 1990. As an undergraduate, Heldmann was a member of the editorial staff of the Cord as well as News Weekly where wrote the humor advice column “Miss Winks”. He was also a member of the Keystone editorial staff and the curling team.

Kenneth Hewitt (1937- ) was a professor of geography and environmental studies at Wilfrid Laurier University in Waterloo, Ontario, from 1976 until his retirement in 2002. Hewitt earned his BA and MA at Cambridge University, and his PhD at London University. He is a founding member of the Cold Regions Research Centre. Hewitt has been the recipient of many research awards. Hewitt was proclaimed Wilfrid Laurier University Research Professor for 1988-1989, and received the Award for Scholarly Distinction in Geography from the Canadian Association of Geographers in 1991.

A.H. Howard (fl. 1889-1904) was an artist and member of the Toronto Art League.

Gershon Iskowitz (1921-1988) was an abstract painter based in Toronto for much of his artistic career. Born in Kielce, Poland, he survived internment in Nazi concentration camps and lost his entire family in the Holocaust. Iskowitz studied art in Munich at the Akademie der Bildenden Künste in 1947, soon transferring to private studies with Oskar Kokoschka. He moved to Toronto in 1949. His work developed from wartime imagery to a focus on landscapes (particularly inspired by practice in the Parry Sound area), eventually arriving at his mature abstract expressionist style in 1967. Iskowitz began exhibiting with Gallery Moos in 1964, a relationship which continued throughout his career. He taught at the New School (Toronto) from 1967-1970, and his informal mentoring of artists in Toronto is often noted. Iskowitz, along with Walter Redinger, represented Canada at the Venice Biennale in 1972. The artist established the Gershon Iskowitz Foundation in 1985, with the mandate of awarding the Gershon Iskowitz Prize to a mature practising artist; since 2007 the Foundation has partnered with the Art Gallery of Ontario to administer the Gershon Iskowitz Prize at the AGO.

John Jackson (1947 - ) is an environmental activist in Ontario, Canada. Jackson received his BA from the University of Waterloo in 1969. He is a researcher, project director, advisor, chair and coordinator of numerous environmental agencies. Jackson served as President of the Ontario Toxic Waste Research Coalition, a citizens' and agricultural group which succeeded in halting the Ontario Waste Management Corporation's plans to build a hazardous waste plant in West Lincoln in the Niagara Peninsula. In recognition of his leadership, John Jackson was presented a scroll by the Member of Provincial Parliament for the Riding of Lincoln.

Charles William Jefferys (1869-1951) was a prolific Canadian artist, illustrator and author. He was a talented landscape painter whose work was widely exhibited and collected, but is best known for his illustrations of Canada’s past. He was born in Rochester, Kent. In 1875 the Jefferys family emigrated to Philadelphia, then in 1878 they moved to Hamilton before settling in Toronto around 1880. Jefferys began formal training as an artist in 1884 when he started attending evening classes at the Ontario School of Art. The following year, Jefferys began a five-year apprenticeship at the Toronto Lithographic Company, where he was also hired out to work occasionally as an illustrator for The Globe. He worked as an artist for The Globe, as well as for a number of other Canadian newspapers until the fall of 1892 when he was taken on as an artist-reporter for The New York Herald. Jefferys lived in New York and New Jersey until 1899, returning to Canada permanently in 1901, eventually settling in York Mills. Jefferys illustrated a large number of books and articles providing illustrations for The Makers of Canada (1903-1911), Chronicles of Canada (1914-1916), was co-founder of the satirical periodical The Moon (1902-1904), and wrote and illustrated Canada’s Past in Pictures (1934) and The Picture Gallery of Canadian History (1942, 1945, 1950). He also gave frequent lectures and published numerous articles on art, architecture, and Canadian history. From 1912 to 1939 Jefferys was instructor of freehand drawing at the Department of Architecture at the University of Toronto. He also was a lecturer and part-time instructor at the Ontario College of Art. Jefferys worked for Canadian War Records in 1918, recording the activities Polish Army in Exile at Niagara and Toronto and the Siberian Army in Exile in at Camp Petawawa, Ontario. Jefferys was active in many organizations, including the Ontario Society of Artists, Royal Canadian Academy, Art Students’ League, and the Arts and Letters Club. He exhibited his art widely throughout his life, in Canada and abroad, and his work appears in major institutions across Canada. Robert Stacey (1949- ) is the grandson of C.W. Jefferys. He is an art historian, author, editor, picture editor and curator based out of Toronto. Has written numerous books and articles on C.W. Jefferys and many other aspects relating to Canadian art and graphic design, with titles including The Hand Holding the Brush: Self Portraits by Canadian Artists, Canadian Bookplates, Massanog: the art of Bon Echo, and Sir Daniel Wilson (1816-1892): ambidextrous polymath.

Eugene Kash (1912-2004) was a Canadian violinist, conductor and teacher. He was married to contralto Maureen Forrester from 1957 to 1974.

Robert John Keir was born in Port Colborne, Ontario, on April 15th, 1931. While Keir's British grandfather was a professional journalist, Keir himself never recieved formal training in journalism; instead, he developed and honed his journalistic skills through years of on-the-job experience. Keir began his journalism career at an early age as a paperboy for the Globe & Mail. As an adult, Keir began writing for The Evening Tribute of Welland, Ontario, from 1950-1952. It was also during this time that Keir was given the opportunity to work as a “stringer”, writing additional local stories for large media outlets The Toronto Star and the Buffalo Courier-Express. In 1954, Keir became an out-island feature writer for The Nassau Guardian of Nassau, Bahamas, under a six-month contract. When his contract expired that same year, Keir relocated to Sudbury, Ontario. Once in Sudbury, Keir continued to pursue his journalistic interests, covering local affairs for The Sudbury Star from 1954 until 1956. From 1956 to 1957, Keir reported City Hall proceedings for CKSO Radio and Television and from 1957 to 1959, reported these proceedings for The Sudbury Star.

In 1955, Keir was appointed Northern Ontario Correspondent for The Globe and Mail and retained this freelance position for more than ten years. In 1959, Keir founded the Northern Information Service Company Limited in Sudbury, Ontario. As General Manager, Keir played a participatory role in handling freelance news coverage, public relations, advertising, and photography until he ended the company in 1970. In addition, Keir was one of the founders of The Sudbury Sun in 1962, serving as publisher and editor.

By the early 1960’s, Bob Keir had become an active supporter of local interests. This resulted in a shift in career interests, which saw Keir serve as Public Relations consultant for the City of Sudbury from 1960-1961. Keir served one term as Alderman (1964-1965), and despite not continuing as an elected member of city council, Keir stayed on as a volunteer, serving on various community committees (such as the Sudbury Planning Board and the Parking Authority of Sudbury). Keir moved to Toronto in 1970 to work as Senior Communications Manager for the Ministries of Environment, Natural Resources, and Energy at Queen’s Park, but returned to Sudbury in 1982 to serve as Executive and Communications Officer for Regional Chairman Tom Davies until Keir’s retirement in 1995.

After retiring, Keir continued to publicly voice his concerns over local issues. As one of seven members of the Greater Sudbury Municipal Watch since discussion of Sudbury’s amalgamation began in the late 1990’s, Keir monitors key issues at City Hall. Other local initiatives Keir has been involved in include the Sudbury Community Foundation (as a founding director) and the Sudbury Regional Restructuring Association (as a founder and secretary). In 1992, Keir was awarded the Canada 125 Commemorative Medal for his volunteer efforts and the Ontario 15 Years Voluntarism Award. Additionally, Keir provides regular published insights in letters to the editor for The Sudbury Star.

Michael Kelly was born in Sudbury Ontario in 1953 and attended Laurentian University from 1973 to 1978. He graduated with a Bachelor of Arts in History and then matriculated to the University of Toronto (1979-1985) for his Master of Arts in History. During this time, he was asked to write a chapter in an upcoming local Sudbury history book to help celebrate the one hundred anniversary of the founding of Sudbury. The book was divided up into decades and Michael Kelly was assigned 1900-1910. This chapter was later completed by Ashley Thompson and the book was published ten years after its intended publication date in 1993 entitled Sudbury Rail Town to Regional Capital.

Other books Kelly worked on while a student at Laurentian include Inventory and Guide to Historic Building in Sudbury, 1978.

From 1979 to 1985, Kelly traded commercial paper and foreign exchange securities as part of a corporate cash management team with INCO Limited. From 1985 to 1986 he was a regional economic development officer in Northern Ontario and from 1986-1989 he operated as a training consultant for various companies. From 1990 to the present, Kelly has worked as a professor at Cambrian College specializing in Human Relations, Ethics and Project Management.

Anna Belle Wing Kindlund (later Mrs. Alois Trnka), 1876-1922, was an artist born in Buffalo, New York. She studied with W. Hitchcock in Buffalo, and G. Bridgman in New York. She was a member of the Buffalo Society of Artists and the New York Society of Craftsmen, and is listed in Who Was Who in American Art as a painter and miniaturist.

A. (Alfred) Richard King first came to the territory in 1939 when he was attempting to establish a new bush airline in Alaska and the Yukon Territory. Unfortunately, King and his two partners lost their plane and equipment when they crashed in Teslin Lake while on their way to Alaska from the United States. They were rescued by residents of the First Nation village of Teslin, the only community on the lake. King returned to the states after spending 6 weeks in Teslin. After the war King graduated from Western Washington College and became an elementary school teacher in Washington. In 1949 he went to Saipan and taught for a year and then remained in the Trust Territory of the Pacific (Islands) for the next five years teaching and administering the development of the native elementary schools in the islands. He continued to develop his interest in applied anthropology and its relevance to educational administration and educational assistance programs. In 1964 he was granted a PhD degree at Stanford, his major fields of study were education and cultural anthropology. In 1963-1964 King spent a year as a fourth-grade teacher and participant-observer at Chooutla (Carcross) Residential School in Carcross, Yukon and this resulted in his doctoral dissertation. In 1967 he published "The School at Mopass: a problem of identity" which was based on his thesis. In 2005 he was living in Brentwood Bay, B.C. with his son Peter and grandsons. Dr. King died August 14, 2005.

William Lyon Mackenzie King (1874-1950) was Canada’s Prime Minister for 22 years, holding office 1921-1926, 1926-1930, and 1935-1948. King was born in Berlin (later renamed Kitchener), Ontario. King received his BA, LLB, and MA at the University of Toronto. At Harvard University he received an MA and a PhD. King was leader of the Liberal Party from 1919-1948.

Denis Landry was born in Azilda, Ontario, on May 16, 1919. He began his academic pursuits at the age of seven and matriculated from Azilda Public School #2 at fourteen with an eighth grade education. Landry was unable to continue formal academic pursuits due to economic reasons and began to work on the family farm where he pasteurized milk and took care of the animals. Landry married his wife Thérèse Paquette on January 6th, 1945 and they had seven children. In order to support his family Landry worked as a miner for Inco at the Levack Nickel Mine Deposit where he held many positions. Despite his work, Landry still found the time for his family, and his community.
Landry was a devote catholic and enjoyed religious music. Denis was a member of the “paroisse de Chelmsford” choir and when the “paroisse Sainte-Agnès” was formed in 1953, he became leader of orchestra and remained so for 20 years.
Landry was an important figure for the education sector in the Azilda - Chelmsford area. He played a significant role during the creation of the Roman Catholic Separate School Section No.1 in 1955. Landry was appointed trustee for the RCS.S No.1 from 1955 to 1956. Thanks to Landry and other trustees, the Roman Catholic schools in the No.1 and No.2 district merged in 1961 and two new Separate schools were created “l’école St-Patrick” and “l’école St-Dominique-Savio”. In 1965 Landry was appointed to serve as trustee for the Chelmsford Valley District High School Board to represent all the Separate Schools in the areas of Rayside Balfour, Chelmsford, Dowling, and Levack. He spent six years as a trustee with the Chelmsford Valley District High School Board, to ensure that Catholic children from the area have an opportunity to pursue their studies at the secondary level. In 1968, the Ministry of Education warned the school boards of its intention to establish larger administrative units. Landry was appointed by the Chelmsford High School Board to serve in the “ADD-Hoc” committee in order to prepare the documents needed to restructure the School Boards in Ontario. Denis was then elected to represent the Western Separate Schools in 1969. He was honored to serve as a representative for the Western Separate Schools for the following 12 years. Denis Landry’s 32 years of service as a trustee for Separate Schools, gave generations of French Catholic children in the Azilda, Rayside area the opportunity to learn and grow in a proper education system.
Landry retired from Inco after 43 years of service. After his retirement he went on to work as a Real Estate agent. He was a strong supporter of the French culture in the community. His passion for education, the town of Azilda and the French culture inspired him to write a book entitled “Azilda comme je l’ai connue”.
Landry was also a member of the “Coopérative funéraire” and the “Club d’âge d’or d’ Azilda” (one of the founding members). For the remainder of his retirement Landry continued to devote himself to his pastimes, his community and his family. Denis Landry passed away on May 6th 2008 at the age of 88.

Avis Lang [Rosenberg] (1944-) is an art historian, teacher, curator, writer and editor who lived in Vancouver for many years. In 1972, as a member of the faculty of the Fine Art Department at the University of British Columbia, she wrote to Canadian artist Jack Chambers (1931-1978) beginning a correspondence that led Chambers to invite her contribution to a scholarly monograph on his work. In 1973, Peter Mellen took over the editorial direction for the book and differences of opinion prompted her to resign the project. Her essay, “The Hart of London: a film by Jack Chambers” was included in The Films of Jack Chambers, edited by Kathryn Elder (Cinematheque Ontario and Indiana State University Press, 2002).

Robert Langen (19-- -) was a professor at Wilfrid Laurier University in Waterloo, Ontario, until his retirement in 1984. Langen received his BA from Waterloo College in 1948, and his MA from the University of Toronto in 1956. In 1954 he became a lecturer at Waterloo College (now Wilfrid Laurier University) and eventually became the first chairman of the Philosophy Department. Robert Langen was involved in many committees and organizations, including the Cultural Affairs Committee, and a local chapter of the World University Service of Canada. In 1989 Wilfrid Laurier University named its art gallery in his honour.

Leslie Lasky was a student at Waterloo Lutheran University in Business Administration from 1964 to 1968. He lived in Willison Hall and served as a residence Don. In 1967, he was elected as student representative to the Selection Committee for a new president of the University.

Wilfrid Laurier (1841-1919) was Canada's eighth Prime Minister, holding office 1896-1911. Laurier was born in St. Lin, Quebec. He received a law degree from McGill University in 1864, and practiced law in Montreal and Arthabaskville from 1864-1896. Wilfrid Laurier was Liberal party leader from 1887 until his death in 1919.

Ulrich S. Leupold (1909-1970) was a professor and Dean at Waterloo Lutheran Seminary in Waterloo, Ontario. He obtained his PhD in musicology from the University of Berlin in 1932. He was ordained by the Canada Synod in 1939 and served as a pastor until 1945. He was appointed Principal in 1969. He authored, arranged, and composed numerous works. Wilfrid Laurier University's Leupold Residence is named in his honour.

Arthur Lismer, painter and art educator, was born in Sheffield, England in 1885. He studied at the Sheffield School of Art 1899–1906 and later at the Académie royale des beaux-arts in Antwerp. In 1911 he immigrated to Toronto where he worked as a commercial illustrator for the Grip Engraving Company and taught at the Ontario College of Art. He married Esther Mawson in 1912 and their only child Marjorie was born in 1913. Lismer's career as an art educator began at the Victoria School of Art and Design in Halifax, 1916–1919, followed soon after by his appointment as Vice-President of the Ontario College of Art in Toronto. In 1920 he became a founding member of the Group of Seven. His best-known works in oil are wilderness landscapes, expressionist in style with a use of raw colour and simplified form. He also produced many works on paper, including several portraits. Lismer established a Children's Art Centre at the Art Gallery of Toronto, where he was educational supervisor, 1927–1938. He was briefly educational supervisor at the National Gallery of Canada, later holding that post at the Montreal Museum of Fine Arts from 1941 to 1967. He was assistant professor of fine arts at McGill University, 1948–1954. He died in Montreal in 1969. Arthur Lismer was a member of the Arts and Letters Club, Ontario Society of Artists, Royal Canadian Academy of Arts, Canadian Group of Painters, Canadian Society of Painters in Water Colour, and Federation of Canadian Artists. His work is in many Canadian public collections. Following her father’s death, Marjorie Lismer Bridges devoted a number of years to organizing his archival records and gradually donating them to public repositories. She wrote the “Arthur Lismer source book”, which is included in the fonds.

Frances Norma Loring, sculptor, was born in Wardner, Idaho October 14, 1887. She studied sculpture in Geneva, Munich and Paris 1901-1905. In 1905 at the Art Institute of Chicago, she met Florence Wyle with whom she subsequently shared studios in New York (1909-1912) and Toronto (1912-1966). A member in 1920 of the Ontario Society of Artists, she was a founding member (1928) of the Sculptors' Society of Canada and a chief organizer of the Federation of Canadian Artists and the National Arts Council. Among her best-known public monuments are the lion of the Queen Elizabeth Monument in Toronto (originally near the entrance to the Queen Elizabeth Way) and war memorials at St Stephen, New Brunswick and Cambridge (formerly Galt), Ontario. Frances Loring died in Newmarket, Ontario February 3, 1968.

Newton McFaul MacTavish (1875-1941) was a Canadian journalist, art critic and early art historian. Born in Staffa, Ontario, he became a reporter at The Toronto Globe in 1896 and was its assistant financial editor until 1900. From then until 1906, he studied English literature at McGill University while working as a correspondent and business representative of The Globe in Montreal. In 1903 he married Kate Johnson. Between 1906 and 1926, MacTavish was the editor of The Canadian Magazine in Toronto. In 1910 he travelled to Europe and visited the Canadian artists J.W. Morrice and John Wentworth Russell in Paris. He subsequently (1922-1933) served as a trustee of the National Gallery of Canada in Ottawa. Acadia University, Wolfville, Nova Scotia conferred honorary degrees on Newton MacTavish in 1924 (M.A.) and 1928 (D. Litt.). From 1926 to 1932 he was a member of the Civil Service Commission of Canada. A founder of the Arts and Letters Club (Toronto), he was also on the editorial advisory board of and contributor to the Encyclopedia of Canada (1932-1935). In addition to his articles, essays and short stories, MacTavish was the author of Thrown In (1923), The Fine Arts in Canada (1925, the first full-length history of Canadian art), and Ars Longa (1938). A fourth work, Newton MacTavish’s Canada, was published posthumously in 1963. He died in Toronto in 1941.

Robert Nelson Markle, Canadian artist, writer, educator and musician, was born in Hamilton, Ontario in 1936 and died in Holstein, Ontario in 1990. He began his studies at the Ontario College of Art (OCA) in 1954, but was expelled before graduation. While at OCA, he met Marlene Shuster, a fellow student, whom he married in 1958. The focus of Markle’s work from his early days was the female nude, particularly burlesque dancers, and Marlene became his primary model and muse. In 1962 Markle had his first group exhibition at The Isaacs Gallery in Toronto, becoming one of the “Isaacs Group” of artists. In 1965, Markle paintings shown in the exhibition Eros ’65 at the Dorothy Cameron Gallery were seized on a charge of obscenity, drawing considerable media attention. In the mid-1960s Markle began to write for magazines such as the Toronto Telegram Showcase, Maclean’s, and Toronto Life, publishing widely on topics as diverse as striptease, hockey, childhood Christmases, and Gordon Lightfoot. Markle also worked extensively as an illustrator, contributing images to magazines and literary journals. His work as an educator included terms at The New School of Art (1966-1977) and Arts’ Sake (1977-1982) as well as OCA and the University of Guelph. From the early 1960s, Markle played tenor saxophone and piano in the Artists’ Jazz Band. In 1970 the Markles moved to a farmhouse outside of Holstein, Ontario, although Robert re-established a studio in Toronto from 1979 to 1982. In 1979, he won a commission to decorate a Toronto hamburger restaurant, which was named Markleangelo’s in his honour. His other large-scale commissions include wall-sculptures for the Ellen Fairclough Building in Hamilton, Ontario, and the Metro Toronto Convention Centre. He executed painted outdoor murals in Owen Sound and Mount Forest, Ontario. Markle was killed in a traffic accident in 1990. Of Mohawk ancestry, Markle used his mother’s spelling of his surname, although it was spelled “Maracle” on his birth certificate. Markle worked primarily in painting and ink drawing, and also explored photography, collage, printmaking, wooden sculpture and neon. He collected folk art, which inspired a number of whirligig works later in his career. His work is in numerous public and private collections, including the Art Gallery of Ontario and the National Gallery of Canada.

Theresa McClenaghan (1962-) is a Canadian lawyer. She has pursued public interest environmental law throughout her career, representing individuals, groups, and First Nations in environmental matters of local, regional, and national significance. McClenaghan obtained her LLB from the University of Western Ontario, an LLM from Osgood Hall Law School, York University, and a diploma in Environmental Health from McMaster University. She has been called to the bar of Manitoba and Ontario, and has practiced law in Kitchener, Paris, and Toronto, Ontario.

James Stanley McLean (1876-1954), Toronto business executive and art collector, was president of Canada Packers and founder of the J.S. McLean Collection of Canadian art. He was born in Clarke Township, Durham County, Ontario. Having graduated from the University of Toronto in 1896, McLean became an employee of the Harris Abattoir Company in Toronto in 1901, rising to become president in the 1920s. He achieved a merger of his firm with three others in 1927, forming Canada Packers Limited — of which he was president until his death. J.S. McLean was a founder-member of the Art Gallery of Toronto and a member of its executive from 1934 until his death. He was a patron of Canadian art himself and started collecting in 1934. In 1939 he began to buy Canadian artworks of art to hang in the offices and other areas of Canada Packers’ plants across the country. The result was a significant collection amassed at a time when such art was not widely sought after. Among the creators of modern art in Canada, he focused especially on the work of A.Y. Jackson, Carl Schaefer, Paraskeva Clark and David Milne. In 1952 the collection was the subject of an exhibition at the National Gallery of Canada, Paintings and Drawings from the Collection of J.S. McLean. Many of the works lent for this exhibition were subsequently donated to the Art Gallery of Ontario. J.S. McLean died in Toronto in 1954.

David Brown Milne (Burgoyne, Ontario 1882 – Bancroft, Ontario 1953) was a painter and etcher; he is widely considered to be among the most outstanding Canadian artists. He worked as a schoolteacher before deciding to study painting in New York where, in 1903, he enrolled in the Art Students’ League. Milne supported himself through commercial artwork but actively and successfully developed his own painting, exhibiting five canvases in the famous Armory Show of 1913. His friends during this period included James (“René”) Clarke, with whom he maintained a correspondence for many years. In 1916, Milne and his wife Patsy (née May Frances Hagerty), whom he had married in 1912, left the city and settled in Boston Corners, New York. In late 1917 Milne joined the Canadian army as a private, and in 1918 was appointed as a war artist to record the locations of battles that had involved Canadian troops. Milne returned to Boston Corners in 1919, where he spent most of his winters until 1928, summering in the Adirondacks. He moved to Ottawa for one year in 1923, when the National Gallery of Canada bought six of his watercolours. In 1928, Milne moved permanently back to Ontario (he separated from his wife in 1933), spending extended periods of time alone in the wilderness regions north of Toronto. Palgrave, a short drive from Toronto, became Milne’s home from 1930 to 1933, and from 1933 to 1939 he lived in a cabin on Six Mile Lake near Georgian Bay. He maintained an interest in the Toronto art scene and developed a small group of patrons including Alice and Vincent Massey, and Douglas Duncan of the Picture Loan Society, who acted as Milne’s agent and dealer for many years. He met his second wife Kathleen Pavey in 1938 and lived with her from 1939; their only child David Jr. was born in 1941. The Milnes lived in Uxbridge from 1940 to 1946. From 1947 Milne lived and worked at Baptiste Lake, with Kathleen and David Jr. joining him periodically. As Milne’s health deteriorated, the family moved to Bancroft to be closer to Baptiste Lake. Milne died at Bancroft in December 1953. His work is represented in numerous public collections, notably the National Gallery of Canada, the Art Gallery of Ontario, the McMichael Canadian Art Collection and the Winnipeg Art Gallery.

Harley Anson Misener (1897-1972) was a genealogist in Ontario, researching the Misener family. Harley Misener was the seventh generation of Miseners whose first ancestors, Richard Misener and his wife Elizabeth, emigrated with their family from the Palatinate district of Germany to North America in 1720 and settled in New Jersey.

Walter Moos was born in Karlsruhe, Germany in 1926. He was educated at the Ecole Supérieure de Commerce in Geneva (graduated 1946) and at the New School for Social Research, New York, from 1948 to 1951. Moos moved to Toronto from New York in 1959, having become acquainted with the city through visits with his brother, an engineer, who lived there. He married Martha Wegmuller in 1962, and had two sons, Michel André and David Alfred. The Moos family has a well-established history as gallery owners. Walter Moos is a founding member of the Art Dealers Association of Canada, and served as its president from 1971 to 1978. He was the chairman of its appraisal committee from 1972 to 1989. He served on the Canadian Eskimo Arts Council from 1972 to 1982 and is the founder and past trustee of the Gershon Iskowitz Foundation.

Aaron Moulton was born on November 17, 1859 and he left for the Klondike in August 1897, leaving behind a wife and children. He arrived in Dawson City, Yukon on September 15, 1897 and spent the winter of 1897, and spring and early summer of 1898, mining before returning to Tacoma, Washington in July or August 1898.

Diana Joyce Heit was born January 3, 1941 in Sudbury, Ontario. The eldest of Jacob and Katherine Heit's five children, Diana was raised in Garson, Ontario. She attended St. John's Separate School in Garson and often went to Falcona Camp, run by Falconbridge Mine in the summer. Diana Heit married Lawrence Thomas Mulcahey on September 5, 1964 at St. John's Church in Garson. She later became the Assistant Programme Director for the Recreation Department of the City of Sudbury. With this position, Mulcahey assisted with the creation of the game ringette. She designed the crests for the local team tournaments and organized the first games.

Kathleen Jean Munn (1887-1974) was a modernist Canadian painter active in Toronto between the World Wars. She was the youngest of six children born to a Toronto jeweler who died when she was four (of an infection caused by the impact from a champagne cork) leaving her mother to manage the family business. Her talent for drawing was encouraged by her maternal grandmother, an accomplished amateur painter, and she was sent to study at the Westbourne School with F. McGillivray Knowles from 1904 to 1907. Knowles encouraged personal expression and an understanding of the principles of art and Munn thrived in this environment. In 1909 she began to exhibit Barbizon inspired landscapes at the OSA, RCA and CNE exhibitions, moving through periods influenced by Whistler, Corot, Puvis de Chavannes and the post-impressionists. About 1912 Munn first traveled to New York to study at the Art Student’s League and in 1914 she was awarded first prize at the Summer School in Woodstock NY. In 1915-16 she began a series of landscapes in which she showed a mastery of modernist techniques. Her association with the Art Student’s League, whose teachers were early proponents of modernism, was an important influence. Her notebooks show that she was reading extensively and broadly in the areas of literature, philosophy and aesthetics. She studied Jay Hambridge’s mathematical principles, the concept of ‘dynamic symmetry’ and Denman Ross’s colour theory. She seems to have been drawn to writers who proposed an underlying system of order and logic as a basis for individual expression. She also toured Britain and the major art centres of continental Europe in 1920, accompanied by her sister, and this trip seems to have encouraged her quest for a means to express religious and spiritual themes in a contemporary fashion. She was ultimately uncomfortable with complete abstraction and believed that art should express a larger purpose, influenced by readings of Blavatsky, Blake, Whitman, and others. The Group of Seven shared her interest in the spiritual content of painting but she was intolerant of their nationalism; of her contemporaries she formed the closest bonds with Bertram Brooker and Lemoine Fitzgerald. Her studio, in a large room overlooking the ravine at the family home at 320 Spadina Avenue, was visited often by Brooker. The household consisted of three unmarried siblings: Will (Jr.), who ran the family business, May, a teacher who ran the household, and Kathleen. During the 1920’s she began to work on a series of paintings that explored Christian themes and she devoted the 1930’s to the subject of the Passion. Two major drawings from this series were purchased by the Art Gallery of Ontario in 1945. She exhibited a number of these drawings with Fitzgerald and Brooker at the Malloney Galleries in Toronto in 1935 but there as little critical response. Discouragement at her lack of critical success, combined with the death of her brother in 1935 and her sister’s increasing disability, led to the end of her artistic output around 1939. Most of her work remained in family hands. The Art Gallery of Toronto exhibited her Passion drawings in several group shows in the 1940’s and the Willistead Art Gallery in Windsor included her Ascension in a 1954 show of drawings. She died twenty years later, in October 1974.

William Grant Munro (1975-2010) was a Toronto-based visual artist, community builder, event organizer and entrepreneur. Munro spent his childhood and teenage years in Mississauga. He graduated in 2000 from the Ontario College of Art and Design, where he studied sculpture and installation. In 1999, he founded Vazaleen, a now legendary series of dance parties. In 2006, he and Lynn MacNeil purchased the Beaver Café, a hub of artistic, musical and social activity at Queen Street West and Gladstone Avenue in Toronto’s Parkdale neighbourhood. Munro worked as a DJ for events in the visual art community. He served on the Board of Directors of Art Metropole and York University. His artwork has been exhibited in solo and group exhibitions at numerous venues including Art in General, New York; and the Art Gallery of Ontario, Mercer Union, Art Gallery of York University, and Paul Petro Contemporary Art, Toronto. His work is represented by Paul Petro Contemporary Art.

Gail Carr was a student at Waterloo Lutheran University (now Wilfrid Laurier University) from 1967 to 1970. She was a contestant in the Miss Canadian University Queen Contest in 1969. Her married name is Gail Murray.

Jean Narozamski was a horticulturist and a librarian who helped to found the Walden Garden club in 1976.

James Gordon Nelson, (1932- ) was a professor at the University of Waterloo, in Waterloo, Ontario until his retirement in 1998. Nelson received his BA from McMaster University, his MA from Colorado, and his PhD from Johns Hopkins University. Before accepting a position with the University of Waterloo in 1975, Nelson held academic and administrative positions at the University of Calgary and the University of Western Ontario. He is an ecologist, a geographer, a planner, and a policy maker. James Gordon Nelson has been a member of the College of Fellows of the Royal Canadian Geographic Society, a committee member of the World Commission on Protected Areas of the International Union for Conservation of Nature and Natural Resources, a member of the National Executive Committee of the Canadian Parks and Wilderness, and Ontario's Representative on the National Board of Governors of Heritage Canada. He has received many awards, including the first Natural Heritage Award in 1978, the Canadian Association of Geographers Award for Scholarly Distinction in Geography in 1983, the Massey Medal for the Royal Canadian Geographic Society in 1983, a Certificate of Achievement from the Grand River Conservation Authority in 1994, and the 1994 Environment Award for the Regional Municipality of Waterloo.

Lawrence Arthur Colley Panton (1894-1954) was a Canadian painter, educator and academician active in Toronto from the 1930s until his death. Born in England, he immigrated to Canada at 17. He served in the Army during 1916-1919 and studied art in the evening after his return from the war. In Toronto, he worked at Rous and Mann as a designer until 1924 when he began his teaching career, first at the Central Technical School and then at Western Technical School (1926-37), Northern Vocational School (1937-51) and finally principal of the Ontario College of Art (1951-54). In 1920 he married Marion Pye; their son Charles was born in 1921 and died in action in 1944. Panton was active in a number of organizations, including the Ontario Society of Artists (President 1931-37), the Canadian Society of Painter-Etchers and Engravers, the Canadian Group of Painters, The Royal Canadian Academy and the Arts and Letters Club (President 1953-54).

Dr. Allon Peebles was born October 20th, 1900 in New Westminster. He graduated from UBC in 1920 and had a Ph.D. in economics from Columbia. Dr. Peebles taught economics at the University of California and at Columbia had worked with a committee in the United States on the costs of medical care. A medical and labour research economist, he was chairman of B.C.’s first Health Insurance Commission in 1936 and helped fashion the later B.C. Hospital Insurance Service. The 1936 Health Insurance Act was written by Peebles and Harry Morris Cassidy. In 1941, Peebles went to Ottawa as first executive director of the Unemployment Commission and was in charge of the labour department’s research and statistics. He wrote several books on medical facilities, insurance and care. After retiring from the labour department in 1947, Allon Peebles entered private business in Chatham, Ontario. He died in Ottawa on March 13, 1962.

Alexander Oberlander Potter (1897-1969) was a professor at Waterloo College (now Wilfrid Laurier University) in Waterloo, Ontario. Potter received his BA and MA from Gettysburg College, Pennsylvania, and his PhD from Columbia University. From 1923-1924 Alex Potter was an instructor at Waterloo College School. In 1924 he became the first Dean and Executive Head of the Waterloo College. A long time member of Rotary International, he served as Assistant to the President of Rotary International, Paris, France from 1937-1938. For several years he attended sessions of the League of Nations as a special observer and in 1931 represented Rotary International at the public conference on disarmament in Paris, France. In recognition of his services he was awarded the Order of St. Sava by the Yugoslavian government in 1936. During World War II, Potter worked for the Department of National War Services. After the war he returned to Waterloo College as a history professor, retiring in 1954. In 1965 Alex Potter received an honorary degree from Waterloo Lutheran University.

Alan Querney was born November 3, 1929 in Toronto, to parents Ernest & Marjorie Querney. After growing up in Sudbury, Querney graduated from the University of Western Ontario in 1954 with an Honors degree in Business Administration. In 1957, he became a Chartered Accountant and in November of that same year, Querney began working in the lumber industry at WB Plaunt & Son Limited/Austin Lumber (Dalton) Limited. Querney married Shirley Richmond in London, Ontario in 1954. They had four children, Tom (b. 1958), John (b. 1960), Susan (b. 1964), and William [Bill] (b. 1967). In 1972, Bill Muirhead, a family friend, sold his family's business (Muirhead Stationers Limited) to Querney. After Alan Querney's sons graduated university, they became co-owners of the business as well.

Alan Querney was very active in the community. Querney was a member of the Laurentian University Board (Chairman, 1987-1990), the Board of Regents at Huntington College (Chairman), the Sudbury and District Chamber of Commerce, the Sudbury and District Chartered Accountants Association, the Sudbury Algoma Sanitarium (Secretary-Treasurer), the Sudbury and District Hospital Council (Chairman), Idylwylde Golf and Country Club (President), the Ontario Lumber Manufacturer's Association, St. Andrew's United Church Council and Finance Committee, and a member of the Board and Treasurer of St. Andrew's Place Inc. Querney received numerous awards in the community including becoming an Honourary Fellow of Huntington University (1977), receiving an Honourary degree of Doctor of Sacred Letters from Huntington University (1982), elected a Fellow of the Institute of Chartered Accountants of Ontario (FCA, 1985), awarded the Commemorative Medal for the 125th Anniversary of the Confederation of Canada (circa 1992), receiving an Honourary Degree of Doctor of Business Administration from Laurentian University (1996), received the President's Award from the Sudbury and District Chamber of Commerce (along with his sons, 1998), and elected a Life Member of the Institute of Chartered Accountants of Ontario (1999). He was also recognized as a Paul Harris Fellow by the Rotary Club of Sudbury in 2000 for charitable contributions. Alan Querney retired around 2002 and Tom Querney became President of Muirheads.

Henry A. Regier (1930 - ) was a professor of zoology and environmental studies at the University of Toronto until his retirement in 1995. Regier received his BA from Queen's University, a professional teaching certificate from the University of Toronto, and his PhD from Cornell University. In 1966 he joined the University of Toronto. Henry Regier's research interests include the Great Lakes, human use of aquatic systems, world population, and climate change. Regier served as a Canadian commissioner on the Great Lakes Fishery Commission, from 1980 to 1989. From 1987 to 1990 he served on the Great Lakes Science Advisory Board of the International Joint Commission of Canada and the USA. Regier has received many awards, including the Conservation Award of the Federation of Ontario Naturalists in 1980, the Centenary Medal by the Royal Society of Canada in 1986, the Award of Excellence of the American Fisheries Society in 1992, and the Lifetime Achievement Award from the International Association of Great Lakes Research in 2005.

George Agnew Reid (1860-1947) was a Canadian artist, architect, educator and administrator influential in the early 20th century and instrumental in the formation of a number of important Canadian art institutions. Born in Wingham Ontario to a Scottish farm family, he studied architecture and book-keeping at his father’s insistence. In 1878 he moved to Toronto to study art. He was able to extend his art education under Thomas Eakins in Philadelphia, where he met the painter Mary Heister. In 1888 the couple travelled to Europe and studied at the Julian and Colorossi Academies, returning to Toronto in 1889. The house he designed and built in Wychwood Park was his home until the end of his life. In 1890, George Reid began reaching at the Central Ontario School of Art and Design. He eventually became principal and researched new theories of art education in the United States and Europe. Under his direction, the art school became independent of the Board of Education and moved into its own building, which he designed, in 1921. He also served as its first Principal. In 1892, George and Mary Reid built two cottages from his design at the artist colony in Onteora, New York. This led to the design of other summer homes and a small church in the Catskills community. They spent summers at this location until 1917 when the war made travel to the United States difficult. In 1921 Mary Heister Reid died, and in 1923 George Reid married Mary Wrinch, a former student and close friend of his first wife. His later life was filled with accomplishments, including the painting of murals for public spaces in Toronto City Hall, Jarvis Collegiate, the Royal Ontario Museum and elsewhere. He was instrumental in obtaining permanent funding and staff for the National Gallery in Ottawa, and was a force behind the establishment of the Art Gallery of Toronto. He was a member of the RCA, serving as President 1906-1907. He influenced a generation of students, among them C.W. Jefferys, through his teaching and created a number of works that exemplify his generation, including Forbidden Fruit, Mortgaging the Homestead, and The Foreclosure of the Mortgage.

Judith Rodger is a freelance curator and art historian based in London, Ontario. Rodger was chief curator of the London Regional Art & Historical Museum, and was personally acquainted with Greg Curnoe. She contributed the chronology and bibliography to the catalogue of the exhibition Greg Curnoe: Life and Stuff (Toronto: Art Gallery of Ontario, 2000). For a biographical sketch of Greg Curnoe, please see Greg Curnoe fonds.

Harold Russell was a student at Waterloo College from 1954 to 1958. He was a member of the Waterloo College Detachment of the University of Western Ontario Contingent of the Canadian Officers' Training Corps.

Henry Sandham (1842-1910) was an illustrator and painter who lived successively in Montreal, Boston, and London, England. He was associated with the Montreal studio of William Notman, where he received his early training, later headed the art department, and was briefly a partner. Sandham produced illustrations for several leading magazines of his day, including the Century Magazine.

Marcia Schofield was a student at Waterloo College (now Wilfrid Laurier University) from 1947 to 1950.

Helen Sanderson Sewell (1905-2001) was a Toronto artist and teacher. She attended the Ontario College of Art, graduating in 1928 with the Governor General’s Gold Medal. After graduation, she taught for six years with Arthur Lismer at the Art Gallery of Ontario and in Barrie, London, and her Toronto studio. She traveled to northern Ontario to paint with members of the Group of Seven. In 1934 she married William Sewell and interrupted her career to raise four children, including former Toronto mayor John Sewell. She resumed painting when her children were in high school, specializing in portraiture, and was active in the Toronto Heliconian Club.

Goldwin Smith (1823-1910) was a prominent journalist, academic and liberal reformer who spent the latter part of his life in Toronto. Born in Reading, England, he was educated at Eton College and Oxford University, and was the Regius Professor of History at Oxford from 1858 to 1866. Smith began to publish widely on history and political reform. He moved to the United States in 1868, and taught briefly at Cornell University, to which he retained a connection for the rest of his life. He moved to Toronto in 1871, and married Harriet Elizabeth Mann (née Dixon) the widow of William Henry Boulton, in 1875. Smith thus became master of the Grange house and estate in central Toronto, and became a pillar of Toronto society. His journalistic career included a brief employment at the Globe, after which he joined independent publishing ventures including the Canadian Monthly and National Review and the Evening Telegram. He then published his own journal, the Bystander, sporadically between 1879 and 1890. Smith also published widely in other local and international news journals. He took part in important civic and educational reform initiatives, including serving on the new board of the University of Toronto. The Grange remained his wife's property and was willed by her to the city of Toronto to serve as a public art gallery, later becoming the first home of the Art Gallery of Ontario.

Michael James Aleck Snow (1929- ) is a Canadian painter, sculptor, filmmaker, photographer and musician. He was born in Toronto and educated at Upper Canada College and subsequently at the Ontario College of Art (1948-1952). After travels in Europe (1953-54) he worked for Graphic Films in Toronto (1955-56), producing his first independent film, A-Z. His first solo exhibition as a painter was at the Greenwich Gallery in Toronto in 1956. Between 1961 and 1967, mostly while living in New York, Snow produced work in the Pop-art mode based on the silhouette of a young woman, entitled Walking Woman, probably his most widely recognized creation. A series of 11 stainless steel sculptures of the image was created for the Ontario pavilion at Expo 67 and is now in the collection of the Art Gallery of Ontario. After moving to New York in 1964, he made films regarded as Minimalist, such as New York Ear and Eye Control (1964) and Wavelength (1966-67). Returning to Toronto in 1972, Snow worked mainly on cinematic and photographic projects including ‘Rameau’s Nephew’ by Diderot (Thanx to Dennis Young) by Wilma Schoen. His work is concerned with the nature of media themselves, with perception and with the interrelation of language, sound and meaning. Snow has been the subject of exhibitions and retrospectives in Toronto, Vancouver and Paris.

John Frederick Nathanael Spady (1879-1947) was a musician and composer in Waterloo, Ontario. Taught by his mother, who was the organist at St. John’s Lutheran Church in Waterloo for more than 30 years, Spady excelled as a pianist and violinist. He authored more than 600 pieces of music.

Jim Stapleton was a student at Waterloo Lutheran University (now Wilfrid Laurier University) from 1961 to 1965.

Israel "Irving" Steinberg was born January 16 1919 in Peterborough Ontario. Shortly after his birth he moved with his parents, Joseph and Leah Steinberg and his sister Rose Steinberg, to Sudbury Ontario where his father founded Toronto Bargain Stores. The Steinbergs lived in Sudbury until 1932 when they moved to Toronto. Joseph Steinberg died on July 14 1963, and Irving Steinberg as executor of his estate retained property in Sudbury until 1968 when it was expropriated by the city as part of a downtown urban development project. Irving Steinberg passed away on March 1, 2011.

Emily Howard Jennings Stowe (1831-1903) was a teacher and principal, a medical doctor, and a suffragette. Educated at home, Stowe became a teacher in 1846 and graduated from the Provincial Normal School in Toronto, Canada West in 1854. In 1865 Stowe applied to study medicine at the University of Toronto, but was denied entry because she was a woman. Unable to pursue her education in Canada, she attended the New York Medical College for Women. After graduating in 1867, Stowe returned to Toronto to practice medicine without a license. In 1870 she was allowed to attend the University of Toronto and was granted a medical license in 1880. In 1877 Emily Stowe organized Canada's first suffrage organization, initially called the Toronto Women's Literary Club, which later became the Toronto Women's Suffrage Club.

Ann Augusta Stowe-Gullen (1857-1943) was a medical doctor, a lecturer and a suffragette. She was born in Mt. Pleasant, Ontario, the daughter of John Stowe and Emily Howard Jennings. She married John Benjamin Gullen in 1883. She died in Toronto. Stowe-Gullen was educated at the Toronto School of Medicine, then at the Faculty of Medicine at Victoria University, Toronto, where she became an M.D. in 1883, the first woman to graduate from a Canadian medical school. Immediately after graduating she was appointed Demonstrator in Anatomy at the Woman’s Medical College in Toronto (from 1894 onwards known as the Ontario Medical College for Women). In 1890 she was appointed Lecturer on Diseases of Children, subsequently Professor of Diseases of Children. She also served among the original staff members of Toronto Western Hospital (founded in 1896). Stowe-Gullen was a member of the Ontario College of Physicians and Surgeons, the Ontario Social Service Council, the Senate of the University of Toronto where she represented women in the medical profession (1912-24), the Toronto Board of Education (1892-96), the University Women's Club, the Women's Art Association, the Women's Board at Toronto Western Hospital, and the Women's Canadian Club. She was also active in the suffrage, temperance and other social movements. She was among the founders of the National Council of Women in 1893, (President) of the Canadian Suffrage Association, (Vice-President) of the National Council of Women, and she succeeded her mother as President of the Dominion Women’s Enfranchisement Association in 1903. In 1935 she was awarded the Order of the British Empire.

John Theberge (1940- ) was a professor and researcher in the Faculty of Environmental Studies, University of Waterloo, from 1972 until his retirement in 2000. Theberge received his BSc from the University of Guelph, MSc from the University of Toronto, and PhD from the University of British Columbia. John Theberge's career focused on his wolf research, pioneering a technique using vocal patterns to identify wolves. John Theberge and his co-researcher and wife Mary Theberge became Canada's premier timber wolf research team, receiving international recognition for their field research. In 1993, Equinox magazine proclaimed John and Mary Theberge "Environmentalist of the Year". In 1998 they were presented with the Harkin Medal from Canadian Parks and Wilderness Services.

The Tovell family of Toronto, in particular Harold Murchison Tovell (1887-1947), Ruth Massey Tovell (1889-1961) and their son Vincent Massey Tovell (b. 1922), was active in art circles in Toronto for several decades following the First World War. Harold Tovell and Ruth Massey married in 1910 and in 1913-1914 travelled in Europe, visiting the major art galleries. Returning to Toronto, they lived on the eastern edge of the city in Dentonia Park, the Massey estate, until 1936 when they moved to the city centre. The Tovells built a collection of works by Canadian and European artists. In France in 1926 they met French painter Marcel Duchamp (1887-1968) through their friend American author and artist Walter Pach (1883-1958). In 1928 they purchased a painting by Duchamp’s older half-brother Jacques Villon (1875-1963) at an exhibition in New York. They met Jacques and Gaby Villon in Paris in 1930 and corresponded with them until the 1960s. The Villons befriended Vincent who visited them in France in the years before the Second World War. From 1941 to 1947, the Tovells lived near Port Hope, Ontario. After her husband’s death, Mrs Tovell returned to live in Toronto. Harold and Ruth Tovell had three other sons: Walter (b. 1916), a geologist and Director of the Royal Ontario Museum 1972-1975, Freeman (b. 1918), diplomat and historian, and Harold (1919-2002), a physician. They bequeathed many of their artworks to the Royal Ontario Museum, the National Gallery of Canada and the Art Gallery of Ontario.

Florence Vale, Canadian artist, was born on April 18, 1909 in llford, Essex, England and died on July 23, 2003 in Toronto, Ontario, Canada. Her family immigrated to Toronto two years after her birth, where she grew up with an interest in music. She married artist Albert Franck on June 8, 1929, and together they bought a house on Hazelton Avenue in Toronto which became a centre for artists, writers, musicians, and critics. Florence Vale was the mother of two children, Trudy (who died as an infant) and Anneke.
Florence Vale began to paint with her husband’s paints and brushes in the late 1940’s with no previous artistic training – only what she had learned under the influence of her husband and the artists who visited her home. Her art was influenced by Surrealism, Cubism, Expressionism, and the works of Paul Klee. After her husband’s death in 1973, Florence Vale continued to express her artistic ability with oil paints, collages, and ink, also including her own poetry in some of her works. Many of her works, most prominently after the death of her husband, were erotic, while still viewed by critics as keeping a whimsical, innocent tone. Her art appeared in exhibitions throughout Ontario, with exhibitions also in Quebec and New York, U.S.A. She was associated with the Gadatsy Gallery, Toronto.

Sir William Cornelius Van Horne (1843-1915), principal builder of the Canadian Pacific Railway and prominent businessman, was an important collector of paintings and Japanese ceramics and an accomplished amateur painter. Born in Illinois, he worked for American railway companies in various capacities until 1882, when he was appointed general manager of Canadian Pacific Railway, the construction of which was completed under his direction. In 1888, Van Horne was elected president of the company, and in 1899, he became president of its board of directors. He retired from active work in the company in 1910. Van Horne incorporated the Cuba Company in 1900 following a visit to that country; under its operations he built and operated a railway, sugar plantations and hotels. In North America, Van Horne was executive or director of more than 40 companies, and was considered one of Canada’s most successful businessmen. William Van Horne married Lucy Adaline, daughter of Erastus Hurd of Galesburg, Illinois, in 1867. They had 3 children: Adaline (1868-1941), William (1871-1876), and Richard Benedict (1877-1931). The family lived principally in Montreal, and also had residences in St. Andrews, New Brunswick, and in Cuba. Van Horne was knighted (KCMG) in 1894. Sir William’s art collection is considered to have been the most prominent pre-First World War collection in Montreal. It contained Old Master and 19th-century European paintings and Japanese ceramics, and also featured ship models and European decorative arts. Van Horne lent regularly to the Montreal Art Association (precursor to the Montreal Museum of Fine Arts) from 1887 to 1912. His reputation as a collector resulted in his appointment to the consultative committee of the Burlington Magazine in London from 1905 until his death in 1915. Following Sir William’s death, the bulk of his ceramics collection was left to the Royal Ontario Museum in Toronto and the art collection passed to the joint ownership of Lady Van Horne and her children Adaline and Richard Benedict, according to terms of Sir William’s will. Lady Van Horne died in 1929. Under the terms of her will, a portion of the art collection went to the Montreal Museum of Fine Arts and the rest was shared among her children. Richard Benedict Van Horne died in 1931. His widow, Edith Molson, had no claim to any share in the remains of the art collection; subsequently she married R. Randolph Bruce. A fire at the Van Horne mansion in 1935 did not damage any paintings. Adaline Van Horne, who had been managing the collection through the 1930s, died unmarried and childless in 1941. Ownership of the collection then passed to Richard Benedict and Edith’s son William C.C. Van Horne (1907–1946) and his wife Margaret (d.1987), familiarly known as “Billie” (née Hannon). When William died, leaving no heir, ownership of the collection remained with his wife. Margaret Van Horne managed the art collection for over forty years, corresponding with art dealers and conservators in order to achieve optimal values for paintings. Numerous paintings were sold in several different auction sales over the course of this time. She continued to live in the Van Horne mansion until 1972. The house was demolished the following year to great protest in the architectural conservation community. When Margaret Van Horne died in 1987, the remainder of the collection passed to her brother Matthew Hannon. Upon Matthew Hannon’s death in 1988, the remainder of the art collection passed to his heirs.