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The fonds consists of family histories, cemetery records, land grants, maps, publications, reunion information and other material related to genealogical study of the Misener family. Fonds is comprised of the following series: Family histories; Cemetery records; Correspondence; Land grants; Maps; Reunion; Index Census records; Misener scrapbook; The Pennsylvania German Folklore Society of Ontario; The Jubilee banner : 50 progressive years, 1858-1908; Publications.

This fonds consists of photographs and various textual material.

The fonds includes correspondence, newspaper and magazine clippings, photographs, drawings, poems, notes and memorabilia relating to Helen Sanderson’s student days at the Ontario College of Art and subsequent teaching career. Many of these were pasted into a scrapbook, entitled ‘Art School Days’, forming a distinctive memoir of student life in the 1920’s and 1930’s. The fonds is arranged in a single series.

The fonds consists of publications, reports, official documents, correspondence, minutes, and other papers produced and accumulated by Henry Regier. Fonds is comprised of the following series: Great Lakes Population International Conference on Population and Development - Cairo Personal Environment Niagara Escarpment : cumulative effects monitoring Fisheries Joint Strategic Plan for Management of Great Lakes Fisheries Disputes Great Lakes Fisheries Commission Institute of Ecology

Collection consists of a four-volume set of proof engravings by Henry Sandham for his illustrations in Century Magazine and other publications. The engravings were assembled by the artist, who inscribed in ink on the title page of volume 1: “The only complete set of proofs of the engravings from Hy Sandham’s drawings for Century Magazine from 1881 to 1886. These proofs were printed from the blocks before they were electro-typed and cannot now be reproduced except by being engraved again. The cost of each print in this book was fifty cents. Hy. S.”

Fonds consists of correspondence, sketches, exhibition notices and posters, press clippings, photographs, financial records, and artefacts relating to Iain Baxter’s career as an artist and university instructor. It includes records of the N.E. Thing Company, the Eye Scream Restaurant, and later solo work by Baxter. Also included are records of Baxter’s employment by Labatt’s Canada as Creative Consultant, and of his collaborations with Louise Chance Baxter.

Colour slides depicting various sights in and around Sudbury in the late 1950s and early 1960s. Some of the slides are numbered suggesting they were part of a larger slideshow on Sudbury. Slides may have been collected to support claims related to the city expropriation of properties on Borgia Street in the 1960s. Slides were produced by various studios in Ontario.

Collection consists of audio recordings of interviews with individuals who were active in the Toronto visual art community during Robert Markle’s lifetime, art historians, and friends and family of Robert Markle. Collection also includes two notebooks containing transcriptions and notes. Interviews were created and used in the process of researching Blazing Figures: A Life of Robert Markle. Collection includes interviews with Harvey Cowan, Jack Foster, Anna Hudson, Avrom Isaacs, Craig Kenny, Mitchell Maracle, Susan Maracle, Marlene Markle, Tim Noonan, Gordon Rayner, John Reeves, Richard Gorman, Ruth Grogan, Nobuo Kubota, Don Obe, Helen & Marty Poizner, Michael Sarrazin, Peter Stollery, Hana Trefelt, Michael Snow, Patrick Watson, Paul Young, Jack Aldersley, Kenny Baldwin, Patricia Beatty, Laura Berman, Sheryl Wanagas, Dennis Burton, Vera Frenkel, Ray Hanson, Tom Hill, Jerri Johnson, Rae Johnson, Emmett Maddix, Scott Townson, Murray McLauchlan, Stephen Williams, Gordon Lightfoot, Dennis Reid, Peter Goddard, and Diane Pugen. The collection is arranged in a single series.