Fonds - John Boyle fonds

Zone du titre et de la mention de responsabilité

Titre propre

John Boyle fonds

Dénomination générale des documents

    Titre parallèle

    Compléments du titre

    Mentions de responsabilité du titre

    Notes du titre

    Niveau de description

    Fonds

    Cote

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    Mention d'édition

    Mentions de responsabilité relatives à l'édition

    Zone des précisions relatives à la catégorie de documents

    Mention d'échelle (cartographique)

    Mention de projection (cartographique)

    Mention des coordonnées (cartographiques)

    Mention d'échelle (architecturale)

    Juridiction responsable et dénomination (philatélique)

    Zone des dates de production

    Date(s)

    • [ca. 1960]-2000 (Production)

    Zone de description matérielle

    Description matérielle

    2.6 m of textual records and graphic material 30 works on paper (prints and drawings) 24 posters 4 multiples 2 compact discs 1 baked porcelain panel

    Zone de la collection

    Titre propre de la collection

    Titres parallèles de la collection

    Compléments du titre de la collection

    Mention de responsabilité relative à la collection

    Numérotation à l'intérieur de la collection

    Note sur la collection

    Zone de la description archivistique

    Nom du producteur

    (1941 -)

    Notice biographique

    John Bernard Boyle (1941- ) is an artist, activist, curator and writer who has lived and worked in St. Catharines, London, Elsinore, and Peterborough, Ontario. He married Janet Perlman, with whom he has one daughter, Emily. Boyle was educated at London Teachers’ College and the University of Western Ontario, and is self-taught as a painter. He taught elementary school in St. Catharines intermittently between 1962 and 1968. In 1974 he moved with his family to a converted church in Elsinore, Ontario (near Owen Sound), where he had his studio until 2002. He is currently based in Peterborough. Boyle began to exhibit his paintings in 1964, the same year he was inspired by meeting London artists including Jack Chambers and Greg Curnoe. In 1966 controversy arose at the London Public Library and Art Museum over Boyle’s exhibited piece Seated Nude. Boyle was an early participant in London’s 20/20 Gallery. In 1972 he designed sets for the play Buffalo Jump at Theatre Passe Muraille, Toronto; that same year he curated the first Billboard Show in St. Catharines. In 1980 Boyle completed the mural Our Knell for Queen Subway Station, Toronto. From 1973 through the 1990s, Boyle exhibited regularly at Nancy Poole’s Studio, Toronto. A key figure among the artist activists who established professional representation and rights for artists in the early 1970s, Boyle was the founding spokesperson of Canadian Artists Representation Ontario (CARO) in 1971. In 1970 he served as the first president of the Niagara Artists Co-operative (later Company). Boyle was a member of the Board of Trustees of the Art Gallery of Ontario, 1975-1977. Boyle has written extensively in journals including 20 Cents Magazine, Parachute, and Twelve Mile Creek. His regular column “According to Boyle” in CAROT (1975-78) dealt with challenges facing artists. Boyle has written three novels, No Angel Came (1995); and the unpublished The Gergovnians and The Peregrinations and Permutations of a Young Artist in Canada. His illustration and book design work includes The Port Dalhousie Stories by Dennis Tourbin (1987), as well as several magazine articles and book jackets. He initiated the discipline of “Canadology” in 1989 to record the social customs of the country. Boyle is a founding member (since 1965) and principal kazooist of The Nihilist Spasm Band. His work is represented in numerous Canadian collections, including the National Gallery, the Art Gallery of Ontario and the Montreal Museum of Fine Arts.

    Historique de la conservation

    Portée et contenu

    Fonds consists of the personal and professional records of John Boyle, including documentation of his work as an artist and his writing projects. Fonds includes documentation of Boyle’s involvement with Canadian Artists’ Representation Ontario, the Niagara Artists’ Company, and the Nihilist Spasm Band. Fonds is comprised of the following series: Exhibition and project files Nihilist Spasm Band files Canadian Artists’ Representation Ontario files Niagara Artists’ Company files Studio business files Manuscript writings Inventories of art works Adjunct art works Posters Financial records Published writings and illustrations

    Zone des notes

    État de conservation

    Source immédiate d'acquisition

    Fonds was acquired from the creator in 2003.

    Classement

    Langue des documents

      Écriture des documents

        Localisation des originaux

        Disponibilité d'autres formats

        Restrictions d'accès

        Open

        Délais d'utilisation, de reproduction et de publication

        Copyright is held by the creator. Copyright belonging to other parties, such as that of photographs, may still rest with the creator(s) of these items. It is the researcher’s responsibility to obtain permission to publish any part of the fonds.

        Instruments de recherche

        A detailed inventory is available for this fonds.

        Éléments associés

        Éléments associés

        Accroissements

        Further accruals are expected.

        Note générale

        Some material is in French and Japanese.

        Identifiant(s) alternatif(s)

        Numéro normalisé

        Numéro normalisé

        Mots-clés

        Mots-clés - Sujets

        Mots-clés - Lieux

        Mots-clés - Noms

        Mots-clés - Genre

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        Identifiant de la description du document

        Identifiant du service d'archives

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        Statut

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            Zone des entrées